Interview with Kodak’s lead engineer on the early Nikon-based Kodak DCS cameras

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NikonWeb published a very interesting interview with Kodak’s lead engineer James McGarvey on the early Nikon-based Kodak DCS cameras:

Q: The Electro-Optic Camera – the World’s first DSLR – was designed and constructed for a US government client. The customer preferred Canon cameras, so you built it around a Canon F-1 body. Later, when you decided to make your first commercial model, you used a Nikon F3 body instead. Why?

A: Nikon and Canon were close competitors and either was a viable choice for a professional digital camera. The Canon preference was specific to that first customer, but the US Gov’t. customers more often preferred Nikon, so we used the F3 body on the Hawkeye II cameras, before the DCS. For the DCS, the choice was also simple, as newspaper photographers were the expected prime market and Nikon held a solid lead there, at least in the US. I believe we thought that Canon might have a slight edge in Europe, but we expected to sell more systems in the US initially.

Q: Did you in any way cooperate with Nikon on the development of the Kodak DCS? Was Nikon even aware of your project?

A: No and no. I believe they were surprised when we announced the DCS. We bought F3’s through normal dealers (I don’t remember who), and since the quantity was small before the product launch, I doubt if Nikon was alerted to anything ahead of time. I remember that we were packing the F3 back door in the kit with the DCS, since we had it and a user might want to use the body with film at some point. Nikon told us we couldn’t do that as we were not an authorized dealer. We could incorporate the F3 in our product, of course, but not “resell” cameras! Generally, though, I believe Nikon was happy with the situation, since they were selling F3’s and the first commercial digital camera was carrying their lens mount. I don’t remember any complaint other than the door issue.

Additional images:

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400mm Nikon lens to be modified at the ISS to capture photons sent from Earth

Nikon-lens-ISS

Another ISS related post: thespacereporter published an article today about a quantum entanglement experiment on the International Space Station that will involve modifying an existing Nikkor 400mm lens to capture photons sent from scientists on Earth (with the help of NightPOD):

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Nikon gear at the ISS

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ISS Fotografie / Pettit
ISS Fotografie / Pettit    NASA / Pettit / ISS Fotos aus dem All

The German magazine Spiegel published an article with images taken from the ISS where you can spot several Nikon cameras and lenses. Here are some of the captured images:

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Weekly Nikon news flash #208

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Tamron SP 90mm F2.8 Di MACRO VC USD Model F004

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  • Schneider-Kreuznach launched new 35mm T2.1, 50mm T2.1 and 75mm T2.1 Xenon full frame primes cinema lenses with Nikon F-mount. More details and specifications available here.

Nikon hunting

  • Nikon received some negative publicity regarding their support for big game hunting in Africa. See the related articles at the Dailymail and The Independent.

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Nikon savings and rebates for April

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The Nikon instant lens rebates are now gone. Those the available Nikon instant savings and rebates for the month of April in the US:

The Nikon UK cash back program and the Nikon savings in France are still available.
Posted in Deals, Nikon D600, Nikon D7100, Nikon D800| 5 Comments

Guest post: light painting

Light Painting

Today’s guest post on light painting is by Sean Needham:

Light art isn’t new, it’s been a part of photography ever since the first light dropped on a light sensitive material. Light painting isn’t new either, and I can’t claim that I “invented” the idea, but this is just my perspective of it.

Most of the “light painting” I saw for a long time didn’t really impress me, as it felt cold, more as if someone was just throwing a lot of light at a subject and a lot of this I don’t feel has any “bite” to it. So I ignored the area for a long time; until I was watching somebody paint with oils on canvas as part of a speed painting competition and the little “what if?” circuit that everyone has started to place things in to order.

When I started experimenting with this, I was at a loss to what to do as most people, most articles on it just seemed to concentrate on delivering as much light on to the subject as quickly as possible to bring it up against the rest of the scene or the background, but this was not the effect I was looking for. I wanted to isolate the subject(s), the scene, present it artistically and intentionally make people who knew the scene that was being presented question what they were looking at for a moment because of the isolation.

Light Painting 1

Light Painting 2

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First underwater housings for Nikon D7100 camera are out

Ikelite underwater housing for Nikon D7100 (3)Ikelite underwater housing for Nikon D7100 (4)
Ikelite underwater housing for Nikon D7100Ikelite underwater housing for Nikon D7100 (2)

Ikelite were first to announce their underwater housing for the Nikon D7100 DSLR camera. The main features and specifications are:

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Posted in Nikon D7100, Other Nikon stuff| Tagged | 21 Comments