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IT HAS BEGUN! (Nikon D300s, D3000 + the two lenses)

This post will be updated multiple times - check back again.

Prices & availability (pre-orders options coming up next):

  • Nikon AF-S DX NIKKOR 18-200mm f/3.5-5.6 ED VR II: $849.95 (available September, 2009)
  • Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II: $2399.95 (available November, 2009)
  • Nikon D3000: $599.95 (available August, 2009)
  • Nikon D300s: $1799.95 (available  August, 2009 - as reported before)

Click the link below for more:

More updates coming, stay tuned.... more links at the bottom of this post.

Now the official press releases from Nikon:

NIKON FURTHER REFINES DX AND FX LENS FAVORITES

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The Professional 70-200mm f/2.8 and the Wildly Popular 18-200mm DX Receive Optical Enhancements and VR II to Benefit a Variety of Photographers

MELVILLE, N.Y. (July 30, 2009) - Nikon today announced the AF-S DX NIKKOR 18-200mm f/3.5-5.6 ED VR II and the AF-S NIKKOR 70-200mm f/2.8G ED VR II, two telephoto zoom lenses further refined to provide photographers with exceptional optics for outstanding image clarity and sharpness, both featuring Vibration Reduction (VR II) image stabilization. The 18-200mm, Nikon’s best-selling premium high-ratio zoom ever, offers enthusiasts excellent versatility. The 70-200mm f/2.8, now benefiting from Nikon's exclusive Nano Crystal Coat, retains its status as a preeminent choice for discerning professionals in a multitude of shooting disciplines.

Both of these lenses use Nikon’s VR II image stabilization technology, which is engineered specifically for, and optimized to, function most effectively for each lens design to substantially reduce camera shake-related image blur. VR II allows photographers to shoot handheld at as many as four shutter speeds slower than would otherwise be possible, better assuring dramatically sharper images—even in challenging lighting conditions. Two VR modes are available: “Normal” mode, ideal for everyday use and panning a subject; and “Active” mode, for use in instances where more constant vibration (i.e. camera shake) is present, such as when shooting from a moving vehicle.

“Nikon’s strong commitment to leadership in lenses drives us to constantly refine NIKKOR lenses to take advantage of newly developed technologies and introduce design innovations,” said Edward Fasano, general manager for Marketing, SLR System Products at Nikon, Inc. “Fifty years after the introduction of the Nikon F-bayonet lens mount, NIKKOR lenses remain an industry standard. We achieve this by investing in research and being attuned to the needs of both FX and DX-format photographers to provide the best lenses possible.”

The 70-200mm f/2.8 VR: Essential Optics Refined
The “go-to” lens of demanding professionals and serious enthusiasts, the 70-200mm f/2.8 is one of the most useful and sought after high-performance lenses for sports, wildlife, portrait, travel and news photographers. Nikon has further refined the lens, with an enhanced optical formula featuring seven extra low dispersion (ED) glass elements. These elements provide the ultimate in rendering characteristics to capture vibrant, high resolution images with optimal contrast. Image quality is further enhanced by Nikon’s Nano Crystal Coat, which reduces instances of lens flare and ghosting, elevating optical performance, even in tricky conditions such as those found in professional sports settings and stage events.

Designed to deliver the pinnacle of image quality in a wide variety of conditions, the new 70-200mm VR II lens also includes a Silent Wave Motor (SWM) for fast, quiet autofocusing. The SWM takes full advantage of 3D tracking autofocus (AF) systems, such as those found on the FX-format D3X, D3 and D700 D-SLR cameras. Three focus modes are available - M, A/M and M/A - for automatically focusing, manually focusing or fine tuning AF performance to best suit the photographers’ needs. Nine rounded diaphragm blades contribute to a more attractive bokeh, allowing photographers create soft and more naturally separated backgrounds that better highlight the subject.

The DX 18-200mm f/3.5-5.6 ED VR: Class-Leading Versatility
The AF-S DX NIKKOR 18-200mm, the next generation of Nikon’s all-time best-selling premium high-ratio zoom, combines an 11X zoom range with VR II to provide DX-format enthusiasts with an extremely versatile zoom range in a compact form-factor. Nikon enhanced construction to include a zoom lock switch, to allow photographers to secure the lens barrel at its minimum length, eliminating the natural gravitational effect that can draw the barrel downward during transport. The inclusion of Nikon’s exclusive Super Integrated Coating (SIC) reduces instances of ghosting or flaring. Whether shooting artistic landscapes or vacation snapshots, this lens provides fast and quiet AF operation with the help of Nikon’s SWM technology.
Designed to be a one-lens solution and weighing in at a scant 19.9 ounces and measuring only 3.8 inches in length, this lens provides an extraordinary (35mm equivalent) picture angle of 27-300mm when mounted on any Nikon DX-format camera such as the new D300s or D3000 D-SLR cameras. Additionally, the optical formula contains two ED glass elements and three aspherical lenses to minimize chromatic aberration and distortion. The resulting images exhibit extreme sharpness, extraordinarily vibrant color and crisp contrast.

Price and Availability
The AF-S DX NIKKOR 18-200mm f/3.5-5.6 ED VR II lens is scheduled to be available at Nikon authorized dealers beginning September 2009 at an estimated selling price of $849.95**. The AF-S NIKKOR 70-200mm f/2.8G ED VR II lens is scheduled to be available at Nikon authorized dealers beginning November 2009 at an estimated selling price of $2399.95** For more information, please visit www.nikonusa.com.

About the NIKKOR brand
With a comprehensive assortment of FX and DX-format lenses and focal lengths, from the new ultra-wide 10-24mm to the super-telephoto 600mm VR, Nikon photographers have come to rely upon the NIKKOR core technologies that contribute to their optical superiority. NIKKOR is the brand name for Nikon’s photographic lenses, which was created by adding an "R" to "NIKKO”, an abbreviation of Nippon Kogaku K.K., the original company name of Nikon Corporation at the time of its founding. In 1933, Nikon marketed its first camera lens under the NIKKOR brand name, the "Aero-NIKKOR” for aerial photography applications. Since then, NIKKOR has been used as a brand name for Nikon’s lenses that symbolizes durability, high image quality and optical excellence.

About Nikon
Nikon, At the Heart of the Image™. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; COOLSCAN® digital film scanners; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics. For the second consecutive year, Nikon D Series digital SLR cameras are recognized as “Highest in Customer Satisfaction with digital SLR cameras, Two Years in a Row, Tied in 2008.” according to the J.D. Power and Associates 2007 and 2008 Digital Camera Usage and Satisfaction StudiesSM. Nikon Corporation, the parent company of Nikon Inc., recently celebrated the 50th anniversary of its legendary F-mount lens-mounting system. Only Nikon has sustained an original lens mount for such an extraordinary period, ensuring that photographers can continue to leverage their previous investments while still taking advantage of new innovations. For more information, dial (800) NIKON-UX or visit http://www.nikonusa.com, which links all levels of photographers to the Web's most comprehensive photo learning and sharing communities.

*According to Nikon testing
** Estimated selling price listed is only an estimate. Actual prices are set by dealers and are subject to change at any time.

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THE NEW NIKON D3000 PROVIDES AN EASY PATH TO FANTASTIC PHOTOS

Combines Proven Technology with Easy-to-Use Interface to Create Affordable, Approachable Entry-Level D-SLR Camera

MELVILLE, N.Y. (JULY 30, 2009) – Today, Nikon Inc. announced the D3000 digital SLR camera, an affordable answer for users looking to experience the superiority of digital SLR photography or enthusiasts seeking a capable, compact D-SLR. The 10.2-megapixel D3000 has features that make it easier than ever to take great pictures, including the new Guide Mode, which lends a smart helping hand to new D-SLR users, and an extensive Retouch Menu, enabling consumers to edit photos, even without a computer. The D3000, which offers an 11-point autofocus system, also leverages proven Nikon D-SLR technologies, including the exclusive EXPEED™ image processing, Active D-Lighting system and 3D Color Matrix Metering II, enabling entry-level D-SLR shooters to take stunning pictures.

“The D3000 combines the best of both worlds, providing picture takers with the ease-of-use currently offered in point-and-shoot cameras alongside the speed, precision and exceptional results that have made Nikon D-SLRs so popular,” said Edward Fasano, general manager for Marketing, SLR Systems Products at Nikon Inc. “The D3000 offers everyone the ability to discover the superiority of D-SLR photography at an affordable price point. We look forward to enabling more consumers to explore the possibilities of D-SLR picture taking and, more importantly, capture life’s memories faithfully.”

Intuitive Assistance On-the-Fly
The D3000 includes the all-new Guide Mode with an easy-to-use interface to help new photographers build confidence in using a D-SLR with step-by-step instruction and inspiration. The Guide Mode, easily accessed by the Mode dial on the top of the camera, displays a variety of shooting situations via the LCD screen, indicating the most appropriate settings for a particular scenario. Users can also see sample photos on the LCD screen, which illustrate the effects of different photo-taking techniques. The Guide Mode also helps users easily review, organize and delete images.

Whether new to D-SLR photography or simply mastering new shooting techniques, the D3000’s Guide Mode assists users in exploring effective picture taking solutions at their own pace to make capturing great pictures even easier.

Small in Size, Big on Features
With elegant ergonomics, softly rounded corners, and a comfortable grip, the D3000 packs powerful technology into a compact form factor. Though the D3000 is tiny when compared to professional D-SLR cameras, it boasts a large, bright three-inch 230,000-dot LCD screen, and now features an easier-to-read font size, 20 percent larger than in previous Nikon D-SLRs.

Quick performance and response are at the core of the D3000’s design and its 11-point Multi-CAM 1000 autofocus system makes it easy to find and focus on a subject. Also, the D3000 offers split-second shutter response, eliminating the frustration of shutter lag, as well as the ability to capture images up to three frames per second, allowing users capture every moment. Users can enjoy the benefits of Nikon’s advanced 3D Subject Tracking, which continuously focuses on a fast moving subject throughout the frame.

The D3000 provides multiple ways for users to engage with their pictures, post capture. It uses Nikon’s extensive in-camera Retouch Menu, which allows users to easily apply a variety of fun and dramatic effects to their images even when away from a computer. The D3000 introduces a new Miniature effect, which changes the appearance of distant subjects to look like close-ups of miniature models. The D3000 also inherits the Soft Filter and Color Outline Retouch options from the D5000, allowing users to express their photography in a new and artistic way. As with all Nikon D-SLRs, the camera creates the new retouched image, while preserving the original.

For users who want to take their creativity to the next level, the D3000 also includes the ability to capture images in the NEF (RAW) format, in addition to traditional JPEG. Images captured with D3000 in the NEF (RAW) format include a greater amount of image data, which in turn, affords finer image control and higher uncompressed lossless image quality. With NEF (RAW) images, users can fine-tune the appearance of an image with simple adjustments to things like exposure, color saturation, brightness, and overall tone – especially in the post-production process. Users can use Capture NX 2, Nikon’s powerful image editing software, to achieve these desired effects.

Nikon extends the creativity with Stop-Motion Movie Mode. With this mode, users can choose a collection of images within the D3000’s Retouch Menu, and the camera then compiles and stitches them into a fun and creative video file.

Renowned Nikon Technology
The D3000 leverages proven Nikon technologies to create the most positive picture taking experience for consumers. The D3000 delivers highly detailed images with vibrant color reproduction and low noise across a broad ISO range, due to its 10.2-megapixel CCD image sensor coupled with Nikon’s exclusive EXPEED image processing system. The D3000’s normal ISO range extends from ISO 100 to 1600, allowing for low light versatility. Additionally, the D3000’s ISO range can expand to a Hi-1 setting of ISO 3200, furthering the opportunities for shots that other cameras miss.

The D3000 also makes use of Nikon’s Active D-Lighting system, which automatically compensates to reveal veiled details in shadows and highlights in high-contrast situations. For instance, when selected, Nikon’s Active D-Lighting can improve the appearance of fine detail in a person’s face that was previously hidden in dark shadows or bring out the highlights in a beautifully backlit landscape.

Nikon’s exclusive 3D Color Matrix Metering II, in conjunction with the EXPEED image processing system, contributes to the D3000’s ability to capture breathtaking images by instantly evaluating the exposure elements of each scene and comparing it to an onboard database of information from more than 30,000 images. These split-second calculations allow the D3000 to ensure beautiful exposures—even when conditions are extreme.

The D3000 also incorporates Nikon’s Integrated Dust Reduction System, which offers a comprehensive solution that combats the accumulation of image-degrading dust from the camera’s image sensor. The system not only utilizes an active sensor cleaning function that activates whenever the camera is turned on or off, but also the Airflow Control System to redirect dust particles, limiting their ability to reach the sensor.

System Expandability
Photographers and enthusiasts alike can also appreciate the D3000’s system expandability, as the camera can work in conjunction with a variety of Nikon accessories, including a broad assortment of legendary NIKKOR AF-S interchangeable lenses. While the D3000 offers a versatile built-in flash, the camera is also compatible with Nikon’s Creative Lighting System and capable of Advanced Wireless Lighting when using the SB-900 Speedlight or the SU-800 Wireless Commander.
The D3000’s design also supports Eye-Fi memory card functionality, enabling the convenient wireless transfer of images from the D3000 to a computer, when using Eye-Fi memory cards.* Additionally, photos can be securely written to readily available SD cards, high-capacity SDHC cards and Eye-Fi memory cards, offering users a range of data storage options.

Price and Availability
The D3000 outfit, including the versatile AF-S NIKKOR 18-55mm f/3.5-5.6G VR image stabilization lens, is scheduled to be available at Nikon Authorized dealers beginning in late August 2009 at an estimated selling price of $599.95.** For more information, please visit www.nikonusa.com.

About Nikon
Nikon, At the Heart of the Image™. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; COOLSCAN® digital film scanners; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics. For the second consecutive year, Nikon D Series digital SLR cameras are recognized as “Highest in Customer Satisfaction with digital SLR cameras, Two Years in a Row, Tied in 2008.” according to the J.D. Power and Associates 2007 and 2008 Digital Camera Usage and Satisfaction StudiesSM. Nikon Corporation, the parent company of Nikon Inc., recently celebrated its 75th anniversary of NIKKOR optics and announced the production of over 45 million NIKKOR SLR interchangeable lenses. For more information, dial (800) NIKON-UX or visit http://www.nikonusa.com, which links all levels of photographers to the Web's most comprehensive photo learning and sharing communities.

* Support refers to extension of power while transferring images, and is not an assurance of quality.
**Estimated selling price listed is only an estimate. Actual prices are set by dealers and are subject to change at any time.

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NIKON D300s REVITALIZES THE STANDARD AND MEASURE OF AGILE, PRO-LEVEL DX-FORMAT D-SLR DESIGN AND PERFORMANCE

MELVILLE, N.Y. (July 30, 2009) – Today, Nikon announced the D300s digital SLR, combining professional-level performance with agility and enhanced D-Movie capabilities to deliver a new benchmark for creative versatility. Engineered to leverage proven Nikon technologies, including a 12.3-megapixel CMOS sensor and 51-point autofocus system; the addition of HD video capture; and faster 7 frame-per-second (fps) continuous shooting, the Nikon D300s balances form factor, performance, versatility and reliability for serious photo enthusiasts and professionals.

The D300s retains the photographer-friendly features of the critically acclaimed D300, while enhancing speed, versatility, and agility of the DX-format for a wide variety of photographers, including advanced enthusiasts, wedding shooters and photojournalists. The D300s can record HD video clips and high fidelity audio with an external stereo microphone input, offering users a D-SLR with full multimedia capabilities. Dual card slots afford users the ability to seamlessly record stills and video to one CompactFlash™ (CF) and one Secure Digital™ (SD) card separately, while one-button Live View, a new Quiet Shutter Release mode and Active D-Lighting bracketing help users to capture stunning images like never before.

“Today’s photographer demands excellence and value from high-performance digital SLRs – and the Nikon D300s delivers,” said Edward Fasano, general manager for Marketing, SLR System Products at Nikon, Inc. “It’s no secret that more photographers need to gather multimedia content. In addition to proven technologies, such as the 51-point autofocus (AF) system and 12.3-megapixel CMOS sensor, we are more than confident that the D300s’ HD movie mode, along with a host of additional performance enhancements, will broaden the appeal of the camera to those seeking exceptional still image quality and video versatility.”

The Benchmark of Speed, Performance and Reliability
Whether on the front lines of spot news or behind the scenes at a spring wedding, users of the D300s can record HD video clips at 720p resolution with a smooth cinematic 24 fps rate. In addition, the D300s also records high fidelity audio—either with the convenient built-in microphone or by using the external stereo microphone input. Photographers can trim video length on the fly and apply Picture Controls to video, modifying the tone and color. Additionally, users can autofocus while recording video, using contrast detect AF, and do so while composing on the D300s’ bright three-inch 920,000-dot LCD screen.

Nikon’s applauded AF system, with 51 high density focus points, performs even faster and more accurately on the new D300s. The Multi-CAM 3500DX AF module uses 15 cross type sensors to provide unparalleled focus performance across the frame. The D300s offers multiple focus modes, including single-point AF mode, and a dynamic-area AF mode, where users can select from nine, 21 or 51 AF points with 3D tracking. Additionally, the added Face Detection System lets users instantly zoom in on a human face in playback mode on the high-resolution LCD monitor to check critical focus.

The Nikon exclusive and newly-accelerated Scene Recognition System (SRS) further refines Nikon's AF performance and light metering. In conjunction with the 3D Color Matrix Metering II system, the SRS uses precise color and brightness information from the 1,005-pixel RGB sensor to propel AF, auto exposure, i-TTL flash control and auto white balance to unprecedented accuracy.

The renowned 12.3-megapixel DX-format CMOS image sensor in the D300s delivers extraordinary image quality and low noise throughout the entire ISO sensitivity range from 200 to 3200 (Lo-1 at 100 and 6400 at Hi-1). The D300s captures image data using 14 bit A/D conversion, processed through a 16-bit pipeline for optimal performance, resulting in images with sharp details and smooth tonal gradations.

The D300s also incorporates Nikon’s exclusive EXPEED™ image processing. EXPEED image processing uses an accumulation of sophisticated Nikon intelligence and technologies to ensure impeccable quality for both still images and movies, while also achieving high-speed processing and low power consumption. When using the included EN-EL3e Li-Ion rechargeable battery, photographers can achieve as many as 950 shots under normal shooting conditions. The optional Multi-Power Battery Pack MB-D10 extends shooting comfort and supports three types of batteries: R6/AA-size batteries, along with Nikon's Rechargeable Li-ion Battery EN-EL3e and the EN-EL4a Rechargeable Li-ion Battery. It combines added stability with extended shooting of up to 2,950 shots*1 per charge and enables faster high-speed continuous shooting at up to 8 fps*2.

The reinforced magnesium alloy body is lightweight, ruggedly constructed and comprehensively sealed and gasketed against the elements at key points, and the shutter has been proven to a demanding 150,000 cycles. Additionally, the D300s employs the Integrated Dust Reduction System countermeasures that combat the accumulation of image-degrading particles on the optical low-pass filter.

World Class Versatility
With the D300s, Nikon introduces the ability to bracket Active D-Lighting (ADL). By localizing tone control, ADL restores shadow and highlight detail typically lost in high contrast situations, such as backlit subjects or while outdoors with strong sunlight. ADL bracketing provides users with the ability to bracket up to five frames of ADL strength to help ensure perfect contrast throughout the frame, putting an end to the guesswork behind the shot with a bride’s intricate white dress and a groom’s tuxedo in the same frame, for example.

Additionally, the D300s features two memory card slots—one CF and one SD, used simultaneously in a variety of configurations to match users’ preferences. Among the many options available, stills and video can record to separate cards or slots can be assigned for JPEG and RAW recording. The D300s offers “overflow” or “backup” modes, and when shooting D-Movie clips, it allows you to select the slot containing the card with the most available capacity. Users can also copy and paste files between cards.

Also added to the D300s is a Quiet Shutter Release mode, which substantially reduces the sound of the mirror while shooting. Quickly accessed by selecting “Q” on the release mode dial, this feature is ideal for the photographer who wishes to remain unobtrusive.

To further expand versatility, users have the ability to fine tune their images using Nikon’s Picture Controls to adjust sharpening, brightness, contrast and color hue. The D300s offers users four presets including Standard, Neutral, Vivid and Monochrome; while Landscape and Portrait settings can be downloaded from the Nikon website. While the D300s offers a versatile built-in flash with wider coverage for a 16mm lens, the camera is also compatible with Nikon’s Creative Lighting System and is capable of controlling up to two groups of remote units as a master / commander for Advanced Wireless Lighting.

System Expandability
In addition to compatibility with more than 60 NIKKOR lenses and a broad array of system accessories, the D300s will also perform well with the recently announced AF-S NIKKOR 70-200 f/2.8G ED VR II and the AF-S DX NIKKOR 18-200 f/3.5-5.6 ED VR II lenses.

Price and Availability
The Nikon D300s camera body will be available at Nikon Authorized dealers beginning in late August 2009 at an estimated selling price of $1799.95.** For more information, please visit www.nikonusa.com.

About Nikon
Nikon, At the Heart of the Image™. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; COOLSCAN® digital film scanners; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics. For the second consecutive year, Nikon D Series digital SLR cameras are recognized as “Highest in Customer Satisfaction with digital SLR cameras, Two Years in a Row, Tied in 2008.” according to the J.D. Power and Associates 2007 and 2008 Digital Camera Usage and Satisfaction StudiesSM. Nikon Corporation, the parent company of Nikon Inc., recently celebrated the 50th anniversary of its legendary F-mount lens-mounting system. Only Nikon has sustained an original lens mount for such an extraordinary period, ensuring that photographers can continue to leverage their previous investments while still taking advantage of new innovations. For more information, dial (800) NIKON-UX or visit http://www.nikonusa.com, which links all levels of photographers to the Web's most comprehensive photo learning and sharing communities.

*As determined in Nikon performance tests
**Estimated selling price listed is only an estimate. Actual prices are set by dealers and are subject to change at any time.
*1 Based on CIPA Standards. When Rechargeable Li-ion Battery EN-EL3e is used for camera body, together with Rechargeable Li-ion Battery EN-EL4a and Battery Chamber Cover BL-3 for the Multi-Power Battery Pack MB-D10.
*2 Based on CIPA Guidelines. When Rechargeable Li-ion Battery EN-EL4a and Battery Chamber Cover BL-3 are used for the Multi-Power Battery Pack MB-D10, all of which are sold separately.

Nikon mini sites:

Nikon brochures:

This entry was posted in Nikon D3000, Nikon D300s, Nikon Lenses and tagged . Bookmark the permalink. Trackbacks are closed, but you can post a comment.
  • northy

    that’s 2 out of 4. now for the lenses :]

  • Jack

    Yay! Two camera bodies I won’t be buying!

    • Jack

      However, kudos to you NikonRumors! I knew I came here for a reason. Yes, that reason is all the hot chicks.

    • Jack

      I will be buying those lenses though! Woo!

  • NikonLover

    WOO !! NIKONRUMORS YOU FREAKIN ROCK !!!!!! YES I AM STANDING UP BOUNCING OFF THE WALLS CELEBRATING !!!!!

    • STJ

      I won’t use the exact same words – but… That “wasn’t too bad” admin… ;-)

  • dr4gon

    dcresource has both up

    http://www.dcresource.com/

  • Tomas

    the 70-200 she looks beautiful

  • northy

    $2399 for the new 70-200? hmm…

    • dave

      yes, that was a bit of a surprise (ouch), especially since the D300s MSRP is pretty much the MSRP for the D300 up until recently.

  • http://www.nikon.com/ Fabio

    Has the two cameras and the two new lenses listed

  • MW

    IT HAS BEGUN…..DUN DUN DDDUUUUUUUUNNNNNNNNNNNN

  • nikkor_2

    Great job, Nikon Rumors Admin; great work!

  • Damon Crawley

    Also http://www.dcresource.com/ has their info up

  • Nik

    “…the distant generator chuntering or asthmatic rodent sounds…”

    Lol.

  • ryan

    its up on usa!!!!!!!!!!!!!!!

  • tenton

    18-200mm version 2 has a zoom lock switch. Guess someone got tired of the complaints and fixed it. :P

    (I’ve already detailed the fix I employ for the original lens; using those silicon wrist bands)

  • Henry
  • http://www.canonrumors.com Canon Rumors

    GJ… and Done.

  • northy

    i want to see a Nikon logo on the Canon Rumors web site :D Who’s with me? :D

  • PJS

    I think Thom hit 25% on these releases (70-200 – which of course has been rumored forever and ever, amen).

    • http://nikonrumors.com/ [NR] admin

      I think NikonRumors hit 100%

      • ryan

        hey Admin, does the new 70-200 not have IF???

        • northy

          IF – stands for Internal Focusing.
          SWM – stands for Silent Wave Motor, which is a fancy name for IF.

          • Anonymous

            IF is internal focusing where the elements inside the barrel move to achieve focus, as opposed to something like rear focusing which moves the rearmost elements to achieve focus.

            SWM is the name for the piezoelectric ultrasonic motor system used to drive the autofocus as opposed to the camera-driven screwdriver autofocus of the past.

  • Chris

    timeline for the d700 replacement? That’s what I’m waiting for…

    • http://www.leganza.it Neogene

      Hoping this will happen before the end of the current year.

  • NK

    Thanks.
    worth waiting for

  • Jim

    If people are excited for the lenses, I can see that; but the cameras are pretty paltry.

  • turbo v6 camaro

    300s $1799 US not bad but release date?

  • Mark J

    Bitter sweet release for me. Sure, i won’t mind ditching my 70-200 for the new version. But the rest of it is stuff i would never buy. Oh well, guess im waiting till October for a D700x/s. Good job though NikonRumors on calling it well in advance, you were spot on with pre-release info.

  • gsvrg

    about design of 70-200, it’s great but the gold-metal piece with the infos is beautiful!! and i would like that they keep it in the new 70-200

  • Jim

    If people can wait til the 2nd quarter of 2010, there will be a d400 that will dropkick this d300s.

    • Jurno

      I don’t get this. Do you have some stake in the D400? Is there something riding on it for you? Do you have a reason to trash the D300s and trumpet a camera that doesn’t exist yet? Will you say the same thing about a D500 when the D400 comes out? What’s the point?

    • Guest

      Agreee with you. Nothing new in new cameras. The D300s is pointless.

    • regular

      The problem is : what features do you expect in a D400?

  • Jon

    The D300s has a mic.. does it allow for voice memos? I looked on the specs and didn’t see anything about it.. if I’m blind please let me know.

  • S.S.

    According to the Japan Nikon site, the price for the 70-200mm is 300,000 Yen, excluding taxes. The conversion to U.S. dollars is approximately $3,160.

    • GG

      Or if you look at the Nikon US Press release site, it says it’s $2,399.95 USD.

      • Mark J

        Wow, that is way too much for it. Might just hold off and stick with my current 70-200 now. Even after reselling it, i would still need to shell out a good $600 extra for the upgrade. And just not sure it’s added features warrant that much.

      • http://www.dafyddowen.com Daf

        Ouch.
        But wonder how much it will come down to.
        Current on (VR1) is ~ $1900 at BH

        • http://www.dafyddowen.com Daf

          OR
          RRP: £1999.99 / €2430.00

  • dr4gon

    hmmm so I guess no flash or other lenses? 35mm/f1.4 200/4Micro or flash units? Maybe later in the year.

  • JR

    Great, still 720p and horrible codecs. Still no manual exposure in video. What were they thinking?

    Very underwhelming. Advantage still Canon.

    • arz

      Yeah, NIkon’s video implementation is not very impressive. 720p is OK, 5 minute limitation is just down right wrong. Also, d5000/d90 should have contrast based auto focus added in firmware. It’s purely a software enabled feature that those cameras should have. Motion jpeg is a bit outdated but works well for majority of the nikon owners whose best video editing skill is window movie maker on vista.

    • Tim Catchall

      Yep, what a disaster.

    • alex

      on d300s’ minisite they say:

      “control over the depth of field with a selectable aperture of up to f/16 With exposure modes A and M.”

  • Eli

    I guess this is a typo, but DPReview says that the D300s is available with a 16-85 VR f3.5-4.5. That’s not the aperture of the current lens… is it true? That would be incredible.

    • WoutK89

      Dpreview often put these mistakes in, so they can check if they will be quoted without mentioning…

  • gary

    nice.. now i i just have to wait a couple months to pick up both the 300d and 70-200 VR 1 :)…………good call NR on this one,..

    so whats next? P&S releases or more lenses???

  • Anonymous

    So, this was faked,

    http://nikonrumors.com/2009/07/15/nikon-d300s-pictures-looks-very-real.aspx

    as many including myself thought.

    Nice to see stereo input for movies.

    • namphamq

      Why do you call that one fake?

      • abra kadabra

        if you followed up on the close ups at nikon or dpreview

        you’ll see that the memory card door type has changed and

        the added speakers at the bottom right has caused the rubber grip areas to retreat up and get smaller

      • Anonymous

        no ok button on the wheel

  • alphanikonrex

    Look, the new 70-200 isn’t IF!

    • alphanikonrex

      Take that back…they just didn’t put it in the name. My bad.

  • low

    yeah it has begun made the title baby!! Good job nradmin

  • http://www.acappellau.com JoeyC

    Is it just me or does the D3000 SUCK?!? I thought it’d be the D300-D90 sensor looks like it’s the D80′s??? And what’s with the lower-res 3″ screen? How is this different than the D60 or – am I missing something?

    • Captain

      I agree Joey. It doesn’t deserve a new model number – it’s just a slightly rehashed D60.

      • http://www.chadwebbphotography.com rad

        well the AF system and Physical body I am guessing warrant the Name

    • namphamq

      I think Nikon’s really killing themselves with the whole D60-D5000-D3000 line. Nothing outstanding over the competition, not even the price.

      • arz

        D3000 will drop price quickly into the cheapest DSLR just like D40 is. And Nikon is probably hoping d3000-5000-90 line will be able to compete with Canon 1000D(XS) – 450D(Xsi) – 500D (T1i)

        • Eli

          Except, the D40 is still a better camera than the D3000–by a lot. It doesn’t have 11 AF points but it has a better screen, better high ISO performance (judging by D60/D80), better flash sync and a lower price.

    • http://dadabase.de Johannes

      Same here. A D3000 with a D90-sensor had been worth upgrading my girlfriend’s D60, as that sensor is really better. But this isn’t worth it, no real improvement.

      • WoutK89

        they did the same to the 18-200, just cosmetic changes, the MTF charts are both still the same…

  • JM

    Can anyone tell me have they done something about the horrible “rolling shutter” that is the plague for D90/D5000-movies??

    • The Wallbanger

      Chances are, no. Rolling shutter effect is diminished by faster frame rates. Nikon’s loyalty to 24p will most likely produce the worst “jello” out there when compared to the Panasonic’s 60fps and Canon’s 30fps. I guess this shortcoming might be expected seeing as Nikon does not have a camcorder division to help with technological hurdles.

      • Stu Mannion

        Not true. Rolling shutter and framerate are NOT related. Motion picture film cameras and Red One shoot 24p with little rolling shutter. It’s all to do with the read-speed of the chip. If that hasn’t changed from the D90 then the ‘jello’ will be the same.

  • Jim

    D300s was only released so that they could add video + add the d90 sensor(so that their d300 doesn’t have more noise and less dynamic range than a camera 1/2 its price), and have a stopgap while they prepare the d400.

    The functions they added don’t yet address the most glaring issues: Lack of manual controls, absolutely awful jello, and a highly compressed codec.

    It’s no big deal, and I will have patience til the d00 arrives next year, but I don’t see who this really benefits, with just a few cosmetic changes.

    • WoutK89

      Gearheads probably? :-P

  • NikoDoby

    Great Work Admin! Thanks for everything tonight! Enjoyed the party! So the next one’s in October right :)

    alphanikonrex will stick around and help clean up the place. I hate that about parties, nobody stays to help clean up!

    Anyway see ya 8^)

    • NikoDoby

      Oh and admin, I think the canon boys let the air out of your tires and somebody, not saying who…., took a dump in your flower garden :-)

    • alphanikonrex

      Hey, when did I volunteer!?

      LOL

  • http://www.boandbro.com bo

    why are there 3 rubber rings on the 70-200? is the front one for turning the filter element with hood attached?

  • http://www.iamron.com Ron Adair

    No manual exposure on video? 720p? No word on improved/reduced “jello shutter”? No real video codec? All this for a thousand bucks more than the d90? Not quite sure it stacks up to what 99% of what those hoping for video in a prosumer body were waiting for. MAJOR let down.

    And 2,400 for a 70-200? That’s $500 more than it’s current selling price, which is arguably already insanely high.

    Yeah right. Oh, that it were all a rumor. Then I’d still have something to look forward to.

    • http://www.chadwebbphotography.com rad

      The fps, AF and Build is the reasons why to buy over the D90

      • WoutK89

        External mic option :-P , forgot that one?

        • http://www.iamron.com Ron Adair

          I should clarify: I’m a d2x and d700 owner. The only thing I was considering these bodies for was commercial quality 24p video. Do I NEED full 1080p? No. I can make do with 720p. Heck, I can “make do” with the codec, and even with the jello shutter and no manual controls.

          Still, the overwhelming question as I’ve had a few grand waiting to go out to a new VSLR is not “Can I make do?”, but whether or not I WANT to. I’m not sure I really want to invest the time, money, and trouble to get a good image from these bodies. Video is difficult enough to master. Throw in the added problems of the jello images, and the lack of manual control for fine-grained precision in motion, depth of field, and exposure, (all at the same time) and I’m really doubtful I want to leap in this direction.

          For me it’s really a matter of getting what would satisfy my desire to create commercial quality work. If it can come in a Nikon system, in which I’m already happily entrenched, then great. If not, then I’ll patiently continue to wait it out for a RED Scarlet/Epic package.

          If the 300s indeed doesn’t address the two greatest issues, (imo this is manual control and jello shutter), then I may just wait until the end of the year and see what RED does. If nothing’s announced by then, I guess it’ll be a Nikon and the extra work involved to create killer work.

      • Jon Paul

        Yes, but what induces people to buy the D300s over the D300 while they’re both still available? Incremental sensor performance and movie mode wouldn’t be worth the price difference to me, anyway.

    • alex

      the movies on nikon’s website show very little jelly compared to d90

  • MentalRaymond

    So yea, the d300s has stereo audio input….but only 720p video? Ouch.
    Come on Nikon, get the propper guns out…where is the d700x announcement?!

    Guess the Canon 5D Mark II has got another 6 months without competition from Nikon.

  • MW

    GOOD JOB ADMIN, THANKS

  • http://danielctw.com DanielCtw

    Now this is freaking new news… Woots and congrats on getting the rumors right.

    Now problem is buyin the new lens… it’s gonna cost a bomb

  • Jørgen

    BULLS EYE! You are just great.

  • Stevens

    Hey NR Admin,

    Thanks for all this.

    Just a question, what is the bet with Canon Rumors? And why does CR website has Nikon in its banner?

    • http://nikonrumors.com/ [NR] admin

      the bet was that if I get all 4 products right, CanonRumors will change to NikonRumors…

      • NikoDoby

        Now I have a cool story to tell my kids when they grow up.

        “I was there that night 57 years ago when the tradition started kids….”

      • Nau

        lol nice one

      • Stevens

        Cool! I like it

  • Jon Paul

    You sure make Nikon news boring, Admin. (By nailing it on the head days or weeks in advance.) Thanks for your work. Mostly I just come here to read about people’s upgrade philosophies, and you’re doing a great job. Keep it up.

  • Anonymous

    Great work as always admin! Well done!

  • Chris

    Is it just me or has there not been an electroinic product release since the original iPhone that has had way more WTF replies than WOW replies (sorry to all those iPhone haters)? I go from reading one disappointing upgrade to another for all the products i watch…amusing and depressing :)

    On that note i agree, WTF…are we going to have to pay $150 to fix lens creep and they still don’t know how to address all the video issues/complaints? Just wanted to join the party.

  • woble

    Where the hell is focus lock on the new 70-200?

    • Bluecoq

      I noticed that too. The focus lock buttons are missing. Wasn’t one of the attractions of the last 70-200 the 3 focus lock buttons? I’m surprised they would remove those if they were a feature.

  • Bluecow

    Do you think that third ring near the end of the lens has something to do with focus lock? I have no idea, I’m just trying to figure out what happened to the focus lock buttons and what that third ring is for.

  • Zoetmb

    OK..I was wrong about everything (except that the lenses would be priced higher), so I guess kudos are in order for the Admin.

    The links that say USA are incorrect – they go to the Global site, not the US site.

    I don’t think I’ll be trading in my 70-200 either. $2400 is kind of steep. Wonder if they’re going to keep both in the line are stop manufacturing the old one.

    On the 18-200, aside from the fact that it now has 2 ED elements instead of 1, I don’t see any difference between this and the previous model.

    One positive note: The model # (in the U.S.) of the 70-200 is 2185 and the 18-200 is 2192. Although Nikon has skipped numbers before (there’s no 2153, 2157, 2165, 2167, 2169, 2182 or 2184), that might be an indication that more lenses are coming soon.

    • NikonMan

      the new 18-200 has three aspherical elements instead of two in the old one.

      It seems to be a refinement of the old design, something Nikon has been doing for many years, just look at the F2.8 teles (primes AND zoom). Small regular refinements to the existing designs.

      Expect the proformance to be a little bit better than the old lens.

      • WoutK89

        LOL, check the global Nikon site, it definitely says 2 ED 3 ASPH on both versions ;-)

        And now on to the 80-400 zoom, 200-400 zoom, and all the other primes and zooms longing to be replaced after so many years of duty :-P

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