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Nikon D4s officially announced

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The Nikon D4s is now officially announced: 16MP sensor, ISO 409,600, RAW S (small) and a price tag of $6,500 ($500 more than the D4; see D4s vs. D4 specs comparison).

Nikon D4s highlights:

  • 16.2MP FX-Format CMOS Sensor
  • EXPEED 4 Image Processor
  • 3.2" LCD Monitor
  • Full HD 1080p Video Recording at 60 fps
  • Multi-CAM 3500FX 51-Point AF Sensor
  • Native ISO 25600, Extended to ISO 409600
  • 11 fps Shooting for 200 Shots with AE/AF
  • 91k-Pixel RGB Sensor and Group Area AF
  • 14-Bit RAW Files and 12-Bit RAW S Format
  • 1000 Base-T Gigabit Wired LAN Support

Nikon D4s pre-order links:

Shipping will start on March 6th. Official sample images are available here.

Nikon also announced a new Capture NX-D software and two Quick-Draw straps.

Additional Nikon D4s details:

Nikon D4s details

Rethink the limits of speed, precision, efficiency and versatility in the field. With remarkable enhancements throughout the entire workflow, thrilling new levels of speed, performance and ISO sensitivity and the superior image quality of a Nikon flagship HD-SLR, D4S frees professionals to perform at their peak in whatever conditions their assignments demand. Capture full resolution stills at 11 fps for approx. 200 shots with full AE and AF functionality, noise-free photos and videos up to ISO 25,600 (expandable to a mind-boggling ISO 409,600 equivalent at Hi4) and 1080p Full HD videos with high-fidelity stereo audio. Transfer files 10x faster with new 1000 Base-T (Gigabit) wired LAN, and increase that speed further by shooting a smaller RAW SIZE S format. Think and shoot in ways you may not have believed possible.

Nikon D4s camera
The evolution of a masterpiece.

The course of modern imaging has been forged by the talent and ingenuity of working professionals, but also by the introduction of a few cameras so innovative and forward-thinking, they redefined what's possible. The Nikon D4 has been such a camera. And now D4S proves that a great thing really can get better, with remarkable enhancements throughout the entire workflow, dazzling new levels of speed, performance, ISO sensitivity and, of course, the superior image quality of a Nikon camera.

Nikon D4s performance

Speed and performance

How do you make a revolutionary camera better? Improve its speed, precision and efficiency without sacrificing the features that make it exceptional. D4S builds on the success of D4 with 30% faster image processing and substantial energy savings—capture up to 3,020* stills on a single charge—an extended standard ISO range (100-25,600) with enhanced noise reduction, and improved tonal range and smoother gradations. Shoot 11 fps for approx. 200 shots at full resolution with AE and AF functionality. For faster initial subject capture, use five AF sensors as a single focus point with the new Group Area AF setting. Transfer files 10x faster than the D4 with new 1000 Base-T (Gigabit) wired LAN, and increase that speed further by shooting a new smaller RAW SIZE S format. Perform at your peak—D4S will keep up.

*Based on CIPA Guidelines

Nikon D4s-Quality
Nikon image quality

Like its predecessor, the D4, the D4S delivers a level of image quality that elevates the power of any story. An improved 16.2MP FX-format CMOS image sensor is paired with Nikon's spectacular new image-processing engine, EXPEED 4, for truly phenomenal speed and performance in the field. The combination achieves outstanding ISO sensitivity, faithful, vibrant color, natural depth, subtle nuanced tones from pitch black to snow white and smoother gradations in both stills and videos. Nikon's proven 51-point AF system and 3D Color Matrix metering III with a 91,000-pixel RGB sensor provide fast, accurate autofocus and metering. Enhanced Picture Control tone curves deliver more depth and clearer color rendition in "Standard" mode. For viewfinder shooting, a new custom setting lets you toggle Face Detection on and off as the situation requires for improved exposure bias around your subjects. You can even measure White Balance against any point in the frame.

Nikon D4s ISO performance
Nikon flagship ISO performance - Noise-free shooting from ISO 100 to 25,600

Photographers go where their assignments take them, and this often means working in the high-contrast glare of the midday sun, the low-light at dawn or the poorly illuminated interiors of a sporting venue. Nikon flagship D-SLRs have long been recognized by professionals for their clean performance at high ISO settings, and D4S takes that performance to the next level. With a specially designed 16.2MP FX-format CMOS image sensor engineered to collect more light and render higher image quality plus the power of EXPEED 4, you can shoot sharp photos from ISO 100 all the way up to 25,600. The ISO range can be extended to a mind-boggling ISO 409,600 equivalent at Hi 4 for overcoming the most challenging lighting conditions. Enjoy great flexibility in your approach to fulfilling challenging assignments.

Nikon D4s with flash
A camera that works as hard as you do

D4S is designed to keep you shooting wherever the story brings you, even after others have packed their bags for the day. Its increased ISO range means you'll be able to capture brilliant photos and videos in whatever light is available. Enjoy improved ergonomics and operability as well as flagship levels of durability and reliability—key for those who spend all day with a camera around their neck. Select from five image area modes while shooting stills in Live View: FX, DX, 1.5x, 5:4 and 1.2x. A new RAW SIZE S setting allows for shooting 12-bit uncompressed Nikon NEF files that are smaller and more easily manageable—speeding up the entire workflow. When you're racing a deadline at a major event, D4S can transfer images up to 10x faster than previously possible with its 1000 Base-T Ethernet. D4S is the camera for today's working pro.

Nikon D4s video rig
Professional video and audio capabilities

Today's stories are being told through stills, video, audio and exciting combinations of each. D4S is a multimedia powerhouse, allowing you to capture stunning and smooth 1080/60p video. Shoot scenes with tremendous depth and sharpness as well as with shallow depth of field or bokeh—and even capture 2MP stills simultaneously while recording video. For video, 2.7x Crop Mode extends the reach of lenses and produces outstanding video quality and detail. D4S adds real-time audio adjustments during recording, selectable sound ranges like Wide Range and Voice Range and improved wind noise reduction on the internal mic. Adjust color settings on the camera's LCD to better match an external monitor. Capture smoother Time Lapse sequences with reduced flicker and improved interval control (up to 9,999 shots), and even simultaneously record to internal CF or the latest high speed XQD cards and an external recording device. Create stories that move us.

Supplied Nikon D4s accessories:

  • EN-EL18a Rechargeable Li-ion Battery
  • MH-26a Battery Charger
  • UF-2 Connector cover for stereo mini plug cable
  • UC-E15 USB Cable
  • AN-DC11 Strap
  • BF-1B Body Cap
  • BS-2 Shoe Cover
  • BL-6 Battery Chamber Cover
  • ViewNX 2

Press release:

Dominate the Decisive Moment, Again: The Nikon D4S HD-SLR is the Formidable Fusion of Speed and Accuracy

Nikon’s Flagship D-SLR is the Evolution of a Masterpiece, Reinforcing Nikon as the Choice of Pro Photographers and Multimedia Creators

MELVILLE, NY – Announced today, the new Nikon D4S establishes itself as the premier HD-SLR available to professionals; unrivaled with its combination of incredible speed, accuracy, low-light performance and exceptional image fidelity. Designed for the most demanding photographers and multimedia professionals in the world, the Nikon D4S improves upon the revered D4 to give users enhanced image and video quality, improved autofocus (AF), faster performance during and after capture in addition to an astonishing ISO range.

Nikon’s D series of flagship cameras continues to push the boundaries of professional image quality, speed and features. The newly developed 16.2-megapixel FX-format sensor works in conjunction with the new EXPEED 4 image processing engine to deliver new levels of still and HD video quality and performance. A new Group AF function and overall improvements build upon Nikon’s proven 51-point AF system, while the camera breaks convention with an ISO range that goes to an incredible 409,600 ISO (Hi-4) for maximum versatility in nearly any lighting condition. Overall speed and response is also enhanced, capturing full resolution at an astounding 11 frames-per-second (fps) with auto focus and auto exposure (AE), while benefiting from an overall 30% increase in processing power.

“By announcing the development of the new Nikon D4S earlier this year, Nikon has been able to work openly with professional photographers in the field to hone the cameras’ core capabilities into an unparalleled tool that makes otherwise impossible images a reality,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc. “The challenges of today’s professional multimedia photographer go beyond simply capturing amazing content. After the shutter clicks, the workflow enhancements that the D4S provides will give Nikon users an obvious edge in the stands, the studio, on the sidelines or in the field.” 

Extreme Speed and Accuracy Give the Edge in the Field

Whether shooting extreme action sports or elusive wildlife, the Nikon D4S has been engineered to be the ultimate combination of speed and accuracy, giving photographers the power to capture even the fastest moving, unpredictable subjects with confidence and control. The proven Multi-CAM 3500 FX AF sensor module’s thoroughly recalibrated AF algorithms quickly zero in on its intended target— no matter how near, far, or abruptly a subject appears in the frame. Additionally, the D4S includes a new innovative Group AF mode. When selected, this mode utilizes five AF points to provide increased stability while tracking subjects, and enhanced accuracy by reducing instances of background focus. In situations where the background is bright with strong contrasting colors, photographers can now feel more confident, knowing that small, distant and fast-moving objects can be rendered sharper, faster and more frequently. Nikon’s AF Lock-on technology is also upgraded, shortening time in reverting from focus interruptions, such as a referee running into the frame.

Hundredths of a second can make the difference when capturing the decisive shot that graces the front page, the double-truck spread, or the client’s mantel. With this in mind, the Nikon D4S also improves tracking on high-speed continuous shooting at a blazing fast 11 fps, with continuous AF/AE. Because missing the shot is just not an option, Nikon’s EXPEED 4 plays an integral role in the D4S’ seemingly instantaneous response and swift performance, while enhancing energy efficiency. The camera now features a processing time that is a full 30% faster, in addition to a 200-shot buffer (JPEG) at full resolution at the maximum continuous mode.

As a proven flagship for the world’s most demanding photographers, the D4S retains the features that made its predecessor the professional’s choice in the first place. The Nikon D4S HD-SLR aligns 15 cross-type sensors in the center to detect contrast data in both vertical and horizontal planes. In addition to detecting each AF-NIKKOR lens with an aperture of f/5.6 or lower, the camera also utilizes nine cross-type sensors that are fully functional when using compatible NIKKOR lenses and a teleconverter with a combined aperture value up to f/8, a great advantage to those photographing sports and wildlife from extreme distances.

The Advantage of Superior Image Quality

At the core of the Nikon D4S is a newly developed 16.2-megapixel FX-format CMOS Sensor (36 x 23.9mm), engineered to deliver an immersive dynamic range, with exceptionally low noise. This newly developed image sensor works in tandem with the latest generation of Nikon’s powerful image processing engine, dubbed EXPEED 4, to bolster image quality, color and sharpness in both stills and video. The benefits of EXPEED 4 go well beyond high-speed image processing to provide evolved real time noise reduction, along with depth and clarity gradation rendering. The resulting images exhibit a wide tonal range, with true and faithful colors.

Thanks in part to the new EXPEED 4 processing engine, the Nikon D4S now shatters the perception of what’s possible with available light photography, giving users a native ISO range from 100-25,600 expandable from 50 ISO (Lo-1) to a staggering 409,600 ISO (Hi-4). This amazing ISO range rewrites the rulebook for available-light shooting, and is especially useful for professional sports shooters, photojournalists, as well as military and law enforcement agencies. The powerful EXPEED 4 image-processing engine incorporates an entirely new algorithm for even higher ISO noise reduction and color fidelity, resulting in an enhanced overall sharpness and clarity without sacrificing subtle textures and luminous details. The enhanced ISO is also a major advantage for other professionals including wedding and portrait photographers, who can now confidently capture the darkest reception, a candlelit ceremony, or create crisp studio portraits with flawless fidelity.

Other advanced Nikon technologies also contribute to the superior image quality of the Nikon D4S, including a new enhanced standard Picture Control tone curve that gives greater depth and clearer color rendition, especially on skin tones. For additional versatility, users have the ability to toggle Face Detect AF on or off while shooting through the viewfinder, and white balance calculation has been further refined for accuracy, while spot white balance is employed for easier presetting with more options.

Nikon’s exclusive 91,000-pixel RGB 3D Color Matrix Metering III system returns on the D4S to help capture true-to-life colors while solving the most challenging exposures, from sun-lit snow to stadium lighting. The system works by meticulously analyzing the variables within each scene and recognizing factors such as color and brightness values with unprecedented exactness. This data is then interpreted and compared against the camera’s on-board database to implement various settings, resulting in vibrant images with faithful color reproduction and balanced exposure.

Faster Workflow During and After Capture

While shooting speed and response matter in the moment, workflow speed has become increasingly important in a more competitive landscape. The D4S delivers upon the need for that speed with features that are engineered for today’s professional:

New RAW SIZE S files: In addition to shooting JPEG, full size RAW (NEF) and TIFF files, the Nikon D4S also has a new file setting to enhance workflow, RAW SIZE S. This setting allows for shooting 12-bit uncompressed Nikon NEF files that are approximately half the size (2464 x 1640) of standard uncompressed RAW files and are more easily manageable—speeding up the entire workflow process.

Faster transfer rate: When connected via LAN, users can now transmit files using Gigabit Ethernet (1000 Base-T LAN). This significant decrease in transfer times means more time to shoot, and less time transmitting files. 

Improved battery life:  Despite its processing power, the D4S is remarkably power-efficient. With the addition of a new EN-EL18a Lithium-Ion battery, the D4S can easily outlast the action with up 3,020 (CIPA rating) shots in single mode and 5,960 shots (Nikon testing) in continuous mode.

Dual card slots: The D4S uses both CF cards as well as the super-fast XQD card format to achieve the fastest possible transfer and write times.

Video Features Fit for the Modern Production Environment

With an increase in potent processing power, the D4S ups the ante when it comes to multimedia workflow and content capture. A versatile tool on location or on set, the D4S offers enhanced video quality and video-friendly features, in a compact and lightweight HD-SLR form factor. In addition to the innovative video attributes from the D4, the D4S offers the following new features:

Full HD video in variable frame rates: Users have the choice of various resolutions and frame rates, including a new 1080/60p option for increased flexibility in post. Users can also shoot at 1080 30p or a cinematic 24p, as well as various other NTSC and PAL frame rates and resolutions. By utilizing the B-Frame data compression method, users can record H.264 / MPEG-4 AVC format video with unmatched integrity for up to 29:59 minutes per clip.

Selectable image area: Users now have the ability to select an image area in Live View mode to match the glass or shooting style. To best suit the scene, FX, DX (1.5x) and 2.7x cropping is available.

Expanded ISO range for video and auto ISO control: D4S’ FX-format image sensor and EXPEED 4 work hand-in-hand to render a natural transition between bright and dark scenes, all while delivering rich tones, sharp edges and minimized noise, even at high ISOs. The D-Movie mode has a wide standard ISO range — from 200 to 25,600 to shoot in nearly any lighting. Furthermore, the ISO can be pushed up to an ISO 409,600 (Hi-4) equivalent. Additionally, D4S lets you maintain manual exposure for controlled shutter speeds and aperture settings while the camera automatically dictates the ISO maximum sensitivity from 400 to Hi-4. For assignments with dramatic shifts in lighting, this can be a remarkably useful tool.

Uncompressed 1080 60p: For the purest video quality, the D4S allows direct output of uncompressed files via HDMI. Output can be recorded to an optional outboard digital video recorder, making for an efficient editing workflow. 

Manual control: Like the D4 HD-SLR, D4S offers full manual control when shooting video for maximum creative versatility.

Simultaneous recording: When recording to an external digital recorder via HDMI, the D4S can now simultaneously write to the CF or XQD card. This function is ideal for creating backups and recording while live-streaming content. 

Improved sound: The range of audio frequency is now selectable, with options such as Wide Range and Voice Range. Wind noise reduction and audio levels can be changed during recording.

Smoother exposure transition during time-lapse and interval-time shooting: Creating breathtaking time-lapse movies is even easier with the D4S. The camera renders exposure transitions with unprecedented smoothness. Such scenes have been difficult to capture in manual or auto exposure mode, but now users can apply an auto exposure to achieve professional-grade time-lapse and interval-time shooting. 

NIKKOR lens compatibility: The highest caliber optics are vital to creating HD images and Nikon is the world leader in optics manufacturing with a legacy spanning more than 80 years. Nikon has a vast NIKKOR lens system, with more than 80 lenses including 65 FX-format lenses with a variety of focal lengths and features, including VR vibration reduction.

Pro Grade Construction and Controls

As a flagship camera for professionals, the D4S is engineered to excel in the world’s toughest environments, while giving pros the features needed to get the shot. The shutter has been tested to 400,000 cycles, and the camera chassis is constructed of lightweight and durable magnesium alloy. Additionally, the camera is sealed and gasketed from moisture, dust and electromagnetic interference to resist the elements.

While shooting, users will appreciate a slightly modified control layout and ergonomics for faster and more comfortable shooting. Subtle changes increase grip and comfort, making the camera easier to hold for a wider range of hand sizes and more comfortable during prolonged use. Photographers will also benefit from composing through a bright viewfinder with 100% coverage. The D4S also features a newly designed mirror-moving mechanism, which uniformly and effectively absorbs mirror slap to minimize viewfinder blackout time. Even at 11 fps, this innovation makes it easier to track a fast subject through the optical viewfinder.

The wide and bright high-resolution 921k dot, 3.2-inch LCD screen of the Nikon D4S lets users easily change menu settings, compose and review images. Photographers have the ability to customize the color of the LCD monitor to better match studio monitors or personal preference. Additionally, the LCD monitor retains its auto-brightness function that automatically adjusts the brightness of the monitor to increase visibility and conserve battery life.

Price and Availability

The Nikon D4S HD-SLR will be available March 6, 2014 for a suggested retail price (SRP) of $6499.95.

Nikon D4s presentation in French:

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  • Oliver

    Does anyone know if the “a” behind the new battery and the new charger means, that the batterys and charger cannot be used for the “old” D4 and the other way round?

  • Guest

    @NikonRumors:disqus Just like i said you in my previous comment . D4s will be improved 16mp with expeed 4 pro 12fps and D5 is already being tested 24mp.

  • Felix

    Isn’t the 12 bit raw have been with us all along since D300 era?
    Or they just market the forgoten function with a new name?

  • Lokutz

    LOL…. what a boring update.
    the D4s does not even beat the 1DX from 2011.
    iso 400.000….. unusable… worthless…. feature list gimmick.
    only 11 FPS?
    the s stands for small update?

  • Duncan Dimanche

    I like how 1080p at 60fps is becoming the new standard for Nikon. Let us hope that the video quality is farrrrr better than the D4 which would bring it up to the same level as the other ones…

    Arfffff if only th DF could film… even with the very soft quality of the D4 you could still use it for some jobs… High ISO filming… :(

  • Klaotzumah

    GRATULATION NIKON….. after 2 years nikon has nothing that tops the 1D X for wildlife or sports photography.

    • neversink

      So, why are you here.

  • http://davidhdennis.com/ David H Dennis

    Seems to me that Nikon carefully calculated the smallest possible changes that might encourage people to upgrade … I want the improvements, but the price increase for almost the same turns me off. I am on the fence whether this offers enough vs my D4.

    • neversink

      For me, it doesn’t… I am happy with my D4. I will wait until the D5 , or maybe even the D6.

      • orpickaname

        D12, man… D12.

  • 5353

    can someone please show some ISO 102.400 images he LIKES?
    do you actually dare to show them online?
    so what is this ISO war good for?
    does iso 102.400 on the D4s looks like ISO 56.200 on the D4 ?
    i doubt it

    • Marcel Speta

      it is just marketing…. in real live i have doubts you need more than ISO 25k …
      I’ve seen birds pictures taken at ISO 12800 from D4 and it looks still OK. Anyways i am curious to see the ISO improvement in D4s if any.

  • Giano Art

    OK, cool, but where is D4x, D800 is really cool but it’s not a pro body, D3x is really too old now… Nikon c’mon!

  • 53453453

    sample images???

    • http://nikonrumors.com/ Nikon Rumors

      the sample photos link is included in the post

  • neversink

    You are joking. You mentioned that the D4s video is inferior to the D800 video. You didn’t state anything about the D4 video. Reread your comment: Hey, I’ll quote it here:

    “The D800/D800E still smoke the D4S for video, yes.”

    That’s what you said. So obviously you have a D4s, because the video on the new D4s sounds great but very few people have access to the new D4s because it isn’t officially on the market yet!!!!!

    • DMT

      No joke. It’s well known that the D4 video is relatively soft and the the downsampling performed in the D800/D800E yields superior results.

      While I would expect the D4S to show improvement in this area (hopefully) I won’t be reaching for it for client video work (personal stuff, sure). My D800E rig is dedicated for that (and I hardly ever use it for stills…the D4 is superior for my photographic work, by far).

      No, I don’t have the D4S, but I have friends that have used it and I have three on order. It’s going to be MIND-BLOWING in low light.

      Wait for it…

      • neversink

        Well DMT, I think you must be hallucinating. Have you dropped some DMT???

        • DMT

          Well, don’t take my word for it, even though I happen to own both cameras and shoot stills and video full time for a living.

          Maybe this will expand your consciousness:

          http://vimeo.com/42065372

          • neversink

            Whoopeeeee!!! I own both cameras also, along with nearly 39 years working in photography. Everyone here knows the D800 is better for video than the D4. Seriously, who cares about this video. Go rent an Arriflex if you want great video. Enjoy your delusions. Have fun.

            • DMT

              Oh, so now you agree with me about the video. You must think I’m delusional about the D4 being a better still camera than the D800E. Again, don’t take my word for it:

              http://www.youtube.com/watch?v=vDcpcZVPW6w

            • DMT

              Wait…you must mean I’m delusional about the D4S being better in low light (AF and IQ) than the D4.

              Not gonna tell you how I know that without having shot one…yet.

              ;0)

              Cheers!

  • http://www.omarbarcenas.com/ Omar Barcenas

    it ain’t got no alibi….

  • wonderingpi

    Still Dancing wit my d3s and 4200 shots per charge and perma time battery! Dual cf, 12mpx is fine clean iso:) who needs over 6400-10k really. If you go dx mode you get 11fps still, 130 buffer vrs 200 is enough

    • Mansgame

      lol DX mode? 6MP pictures?

  • Daniel

    I can’t think of a more underwhelming launch in the history of Nikon. It’s almost like updating the firmware then calling it the “s” version. It’s pretty sad actually – and a statement on the complete and utter misdirection of their Product Development group. Rather than actually innovating with a new model, they throw out a few insignificant feature tweaks then jack up the price. The reality is, they just don’t have anything new to show. The Nikon D4s is just buying time – and there’s nothing really evolutionary about it. Frankly, I’m more stoked by their new Capture NX raw software.

    • Mansgame

      Careful there…the Fanboys will be upset with your logic.

    • LogicIsTheAnswer

      I am completely with you on this. What a waste. Now had it gone 24mp and dual CF instead of a overpriced not used XQD then sure I would have been all over it, but compared to the D4 it is basically the same camera…

      • DMT

        No. It’s not.

    • Mike

      I can think of one or two. The D300s. The D610. This has a bunch of small improvements that make it worthy of a MID CYCLE REFRESH. This is not a D2x -> D3 transition. There likely never will be again. 1080p 60. Face detect through viewfinder (for proper exposure). Those are significant. Out of many.

      • iamlucky13

        “You can even measure White Balance against any point in the frame.

        Is this new, or has that been in previous pro-level cameras?

        I’d love to see that in the prosumer models. Presetting white balance based on the the whole scene is annoying, and in some cases impractical. Being able to use a small spot would be much easier.

  • Sebastien Girard

    In term of FPS, 11fps is more than enough, but I’m wondering if the D4s really uses Expeed 4 at its maximum capacity. Because for me, 11fps at 16mp is not really faster. If so, don’t expect a D800x (or whatever the name) with much more fps. Canon is able to do 14ftp at 20mp (just for comparison)

    • iamlucky13

      It probably doesn’t use Expeed 4 at max capacity. Room to grow is handy, and increasing the speed of the shutter mechanism and autofocus system is probably the limiting factor driving the 11 fps.

      But if Expeed 4 really is faster, even if it doesn’t get you much faster fps, it might still clear your buffer faster.

  • Rameses the 2nd

    Raw Small is what all D800 owners need, but as we are talking about Nikon here, it will most likely not happen.

  • D700guy

    I will most likely get this camera and sell my D4, but I refuse to play the pre-order game this time. I will wait until I see the reviews; and they are in stock. When I bought my D4, I pre-ordered on the first day they were available but the actual camera didnt ship until late May, 5 months later.

    • Pablo Ricasso

      “I will most likely get this camera and sell my D4…”

      Would you care to explain, why?

  • Bob Q

    Hmmm…. 24 MP with a 16MP RAW-S format would make more sense.

  • Bob Q

    Sorry..12MP RAW-S format.

  • Neopulse

    Dammit, eating my words on the pricing. Can’t believe they bumped it up $500 knowing that $5996 was a really fair price since they discontinued the D4. And judging by this way of pricing they’ll probably keep bumping up more and more the price on later flagship models.

  • Jack

    Anybody noticed worse AF detection range in the D4s compared to D4? D4S: from -1 EV, D4: from -2 EV

    • DMT

      Not true. From Nikon’s website…detection range and autofocus sensitivity:

      -2 to 19 EV (ISO 100, 68°F/20°C)

  • Bobba Slut

    what a piece of shit

  • David John Griffin

    Would anyone like to see a D4s file? I shot with it for a few hours this past weekend in Las Vegas at the NASCAR race.

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