D3x specs and details available

From the latest Nikon Pro magazine (Europe) - click on image to enlarge (the $ sign is not from me):

Thanks for the scans D$. More available here. The bad news: no new lenses? Also, do not expect D400 on Monday.

The X factor

Ultra-high definition 24.5-megapixel flagship takes DSLR into medium-format terrain

The professional SLR world has been transformed in just 12 months by the introduction of no less than four new Nikon pro SLR bodies. First we saw the D3 and D300. Then there was the D700. Now, with the launch of the D3x, Nikon offers more FX format pro cameras than any other manufacturer. At 24.5MP, the D3x has the highest resolution seen in a Nikon SLR to date.

The new camera shares all of the D3’s features, including Live View (making it the world’s highest resolution SLR with viewscreen shooting); the 51-point MultiCAM3500FX autofocus system; Scene Recognition System; Expeed 16-bit processing; 3-inch high-resolution 922.000-dot viewing screen; and the tough, weather-resistant magnesium body.

The D3x was designed with medium format photographic applications in mind. The ISO range covers 100-1600 with a Lo1 (equivalent to ISO 50) as well as boost settings up to the equivalent of ISO 6400.

But it’s also fast. The D3x can record its high-resolution 24.5MP files at up to 5fps. As with the D3, it has two alternative crop modes: 5:4 and DX In DX crop mode the camera captures 10MP files at up to 7fps.

The MultiCAM3500FX AF system is the same as the D3, and has the largest number of individually selectable focus points available, making this a very effective system for isolating fine details in the scene. The widely acclaimed Autofocus Tracking capabilities are, as you would expect, the same as the D3.

Pixel numbers alone do not guarantee good quality pictures. The D3x Expeed image-processing system is custom-designed to render this detail with levels of tonal gradation never before seen in a DSLR. Its 75MB files are ideally suited for stock photography and extremely high levels of enlargement.

And being a Nikon SLR, its body is much faster, intuitive to handle and ergonomically advanced than heavy and complex medium-format systems.

You’ll have guessed by now that the D3x is armed at photographers whose work requires the ultimate in detail and output quality Where skin tones, fabric textures, crisp edges, and foliage are paramount - in the fashion, commercial and landscape area - the D3x excels.

Beyond the confines of the studio lighting environment, the onboard exposure metenng and AWB systems make the D3x equally at home in less controlled lighting situations where the aim is to capture the atmosphere of ambient lighting.


The D3x has an exclusive 35.9 x 24mm (FX format) 24.5MP image sensor with unique OLPF (optical low pas filter) and high-speed channel readout. ISO range covers the equivalent of 50-6400.

The widely acclaimed speed and accuracy of the MultiCAM3500 AF system with 51-AF points. Individual selection assumes a new importance in combination with the high resolution: it’s easy to isolate and focus on small details in the scene.

At full 24.5MP resolution, the D3x shoots at 5fps, 7fps is possible in DX Crop mode. The camera is as responsive as the superfast D3. 12ms start up with a shutter release lag time of just 41 ms (CIPA standard). It writes files to the dual CF slots at about 35MB per second.

The D3x’s 16-bit EXPEED engine is specially tuned to deliver detail-rich, colourful files with low levels of noise and high detail. It is also tuned to minimise the effects of colour fringing with older F-mount Nikkor lenses, and to minimise the effect of unnatural-looking (digital) noise patterns. Vignette (peripheral fall-off) can also be controlled for creative effect.

The D3x features a new Extra High Active D-Lighting setting, designed to better manage extremely high-contrast scenes, especially tonal gradation in highlights.

Information from the 1005-pixel RGB sensor with diffraction grating is used to recognise the subject position and colour prior to capture. The results are then used by autofocus, auto exposure and auto white balance.

The D3x is the highest resolution digital SLR yet to offer Live View. Allowing photographers to compose and shoot via the 3in monitor instead of the viewfinder brings a variety of practical advantages both in the studio and on location. Two modes are offered: Handheld and Tripod. Contrast-detect autofocus is available in Tripod mode.

3-inch wide-angle (170deg) rear viewing screen, with 922,000 dots, is ultra-high definition, and proven to exhibit extraordinary levels of damage resistance.

USB 2.0 downloads images off the camera fast when tethered, and flexibly when connected with the WT-4 wireless transmitter. With both HDMI and AV/Out ports GPS data can be captured into the EXIF as before. The new, compact Nikon GP-1 GPS unit can also be attached via the 10-pin terminal and mounted in the hotshoe, or clip on the camera strap.

The D3x uses the same high performance lithium-ion battery (EN-EL4a) as the D3. Thanks to efficiencies in the camera’s onboard EXPEED image-processing system, battery performance is comparable with the D3.

Extremely durable magnesium construction with ergonomically optimised and weather-sealed buttons, dials and LCD displays. Extensive use of high-grade rubber grips means the body is comfortable to handle for long periods of time, and in a wide range of temperatures.

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  • jim

    EAGERLY waiting on this one . a we bit sharper than the canon and that is sharp . even though my d3 will be half the resolution i still love IT . it exposes with almost no light . hope they get a d3 upgrade = 2 the 3x . reversal film is like 18 mpg , this will do real well . what does concern my is lieca came up with a 37.– mpg . i saw a model shot with it , easy to see it is sharper than the big canon in a large hair enlargement . wish these guys would go there now . by the time nikon or canon comes out with that we will have bought maybe 4 camera bodies . lots more expensive this way . but 24 looks good .

  • nunatak

    Finally a camera that offers a wealth of dynamic range with near Mx promise. It will probably take some extra workflow and technical horsepower to harness all the potential, but on spec it should earn it’s bread and butter quite nicely inside the studio or outdoors shooting landscapes!

    In a recessionary year, it’ll be interesting to see how it impacts on the remnants of Hasselblad and it’s overpriced proprietary solutions.

  • Phil

    OK the whole medium format thing here is like people saying DX it is the same as Full Frame–the point of medium format isn’t the resolution, it’s the speed of larger lenses and depth of field that a larger film plane yields that make it special.

    Also, the megapixel number is the area of the frame, so the difference in image dimensions is the root of the difference in resolution. Small increases megapixels from 20-24, etc. don’t translate into images that are much bigger. Something like 64 MP would be a larger image.

    As for video, the day when clients are demanding video is right around the corner. Only strobes will save you from having clients insist you film the entire shoot so they can select the frames they want afterward.

    On the other hand, the only thing sure to be more irritating than everyone with a digital camera declaring himself a professional photographer will be all the still photogs with live video SLRs declaring themselves cinematographers.

  • This is clearly a preemptive strike by Nokon againt Canon EOS 1DS MK4 w/ dual Digic 4 Processors and the same kind of goodies found in the 5D Mk 11

    Such a Good Camera with great features

    Just say Nikon is Rocking

  • I would love to try the D3X in my hands. I was leaning towards the 5dMKII, but might wait on my next camera body purchase now…

  • I think – the best camera in market, no Canon cameras anymore)))

  • Looks like I’ll be needing to upgrade soon with this bad boy….now who knows how much the base d3x is going to cost?

  • E-Nonymouse A

    This very dissapointing news, just about every “feature” mentioned as an improvement to justify releasing the d4 and d3 under new markings are software tweaks they could have and should have made available.
    These are not worth the money they charge as a “new” camera body.
    This that screw innovation and stick it to the customer market fluff nonsense.
    I’ll hang onto my current cams and for them to actually put out a real new product announcement.

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