AF DC-Nikkor 105mm f/2.0D de-focus control portrait lens:
This is the lens I've been wanting since its invention nearly two decades ago. To me, it's the perfect DX portrait lens. Last November, I finally bought a mint-condition, used DC 105mm, and have been experimenting with a few of its idiosyncrasies. This lens is capable of producing razor-sharp images, and actually happens to be one of the sharpest lenses I now own, but there are a few unexpected things I found about this particular copy of this lens. I'm not sure if the following represents normal operation of this lens, or if mine is perhaps out of adjustment, but I'll share my findings so others here can compare notes.

The metal-barreled, crinkle-finish AF DC-Nikkor 105mm f/2.0D comes with an attached, slide-out lens shade.
Here's how the de-focus image control ring is supposed to work:
1. 'F': Set your lens' aperture to any f-stop, and correlate the f-stop on the 'F' (foreground) side of the de-focus ring to exaggerate the de-focus effect for any objects nearer to you than your plane of focus.
2. Detente: Set your lens' aperture to any f-stop, and set the de-focus ring to its detente (center) position for a neutral de-focus effect.
3. 'R': Set your lens' aperture to any f-stop, and correlate the f-stop on the 'R' (rear) side of the de-focus ring to exaggerate the de-focus effect for any objects further than your plane of focus (i.e., your background).

The "sweet spot" of my de-focus ring is f/2.0 'F.'
Here's what happens in actual use with my copy:
I did a few test shots last Xmas and found that any setting to the right of 'R' f/2.0 of the defocus ring resulted in less-than-sharp images. In fact, setting the de-focus ring to either the detente (middle) position, or anywhere to the 'R' side of the f-stop settings resulted in "soft-effect" images. According to the Nikon literature, "soft-effect" images should only occur when the de-focus ring f-stop numerically exceeds the actual f-stop setting of the aperture ring.

De-focus ring set at detente.
However, in further test images of actual people (not shown here for copyright reasons), I later noticed that the soft-focus effect began at the detente position, which is supposed to be neutral, i.e. "sharp." As a result of these more recent findings, I now only shoot this lens with the de-focus ring set to 'F' at f/2.0-f/2.8 (shown, above), depending on whether I'm irising the lens' actual aperture ring at f/2.0 or f/2.8 (I generally never shoot this lens stopped-down any further than f/2.8). My preference would be to have the background's de-focus exaggerated (rather than the foreground's), but it's sharper in the 'F' position, so that's what I now shoot it at.

Aperture set at f/2.8; de-focus ring set at f/2.8 'R'.

Aperture set at f/2.8; de-focus ring set at detente.
Although it may not be visible in the above re-sized images, the type on the candy wrapper is slightly sharper in the second image. Certainly, these weren't the most careful of tests, but I was able to detect a repeatable trend.
Sample Images:
Here's a couple of shots I'd taken recently with my DC 105mm on my D7000:

Aperture ring at f/2.0, with de-focus ring set to f/2.0 'F.'

Aperture ring at f/2.0, with de-focus ring set to f/2.0 'F.'
Idiosyncrasies aside, it's now my most-favored lens for shooting people. It's sharp and gorgeous. Intentionally introducing spherical aberration via the de-focus control can add an interesting patina to some skin tones--when done right, it's beautiful, and it's an effect unique only to this, and the DC 135mm. I still need to take this lens to Nikon to see if this is operating correctly. Perhaps other owners of either the 105mm of 135mm DC-Nikkors could chime in here.