please use one of the old threads, as this topic has been mulled over:
http://nikonrumors.com/forum/topic.php?id=2610
http://nikonrumors.com/forum/topic.php?id=3125
http://nikonrumors.com/forum/topic.php?id=2051
http://nikonrumors.com/forum/topic.php?id=697
also please read an excellent article written by Thom about "Serious Support"

Hi,

Bit of advice needed please!

Currently shooting with a D7000, normally paired with an 18-200 mm lens or a 35mm 1.8G. Will probably shell out for a 70 - 300mm in time, but it will be mainly for sport so might not be as relevant for a tripod discussion?
Looking to get a tripod to shoot with and am looking for suggestions.
Budget would be in the region of £100 for the tripod, and then probably around £50 to £100 for the head (budget is a bit flexible but don't want to rag it too much!).
Have done a bit of research an know that the Manfrotto's are probably a good bet, but the tripods at this price might be a bit lightweight to handle the camera / lens combo that I am shooting with?

Any advice appreciated...

Thanks,

Hugh

Hey, let's wake this thread up.... I have found some newby stuff about the 400 mm lens. First, at age 69, I no longer have to go to the gym, just carry the lens around for awhile and I have a workout. But seriously, the Manfrotto gimbal mount, inexpensive, but very heavy in itself, when combined with the 400 makes a very sweet system which just glides on top of the monopod or tripod. The only caution is to set up the balance so the camera/ lens does not fall violently forward or back. I shoot mainly cars with the lens and so I am behind a safe barrier, sort of. Thus I can actually use a tripod as necessary and take a nap between shots (old folks do this) without having to turn the monopod upside down and set the camera lens on the ground. Nice in the morning when ground is wet. And the advantage is the fitness workout of carrying the rig plus a second body with the 70-200 for the close ups when the cars spit dirt or grass on you.

Gosh, Hope all have a Happy Holiday Season.

See my profile for a few thousand shots on website

Ms. Tommie Lauer

why dont you mount it directly on the top of a monopod. the pod will screw into the standard plate and you're away.

Well I am still waiting for the correct mounting plate. It should be here by next Tuesday at the latest but I want to play with it now. To keep me occupied, I went ahead and renewed my gym membership just in the meantime, lol.

Gareth said:

smaller than this, though

http://3.bp.blogspot.com/_R27YKtRoalo/Se38jhF96BI/AAAAAAAAArE/PS_685ef2dU/s400/Juza_handholding_sigma_200-500_2-8.jpg

No way! They must show that Sigma photo at chiropractor seminars!!! Looks as if he's about to break in half :-)

hard to find a comparison, you won't appreciate how big it is until you see it in person.

but it's

this
http://www.flickr.com/photos/lolpmac/5790711053/in/photostream/

vs this
http://www.flickr.com/photos/lolpmac/5790708007/in/photostream/

smaller than this, though

http://3.bp.blogspot.com/_R27YKtRoalo/Se38jhF96BI/AAAAAAAAArE/PS_685ef2dU/s400/Juza_handholding_sigma_200-500_2-8.jpg

Gareth, can you show us some pictures of tha monster?

adamz said:but seriously indeed 400/2.8 is a monster and hard but manageable to handhold - at least much more manageable than 600/4.

PB - on a daily basis I shoot with 300/4 af-s + TC17 and never had a problem with sharpness. so IMHO, it all depends on personal preferences.

i don't think the 400 is far more manageable than the 600. the 400 is a bloody monster.

i also think it is mainly the weight that will lead to your inability to get good shots hand held. i can shoot my 300 2.8 on my d300s (450mm equiv.) and get perfectly good shots hand held. I suppose vrII may be helping, but it's hard to say.

i certainly wouldn't hand hold the 400.

I feel your pain scoobysmak. The 200-400mm is nasty as well I usually shoot it on a monopod. I remember being surprised how massive it was in length and width. The 300mm VR is actually not too bad but still massive. I didn't even like the weight of the 70-200mm VR! haha Nikon has always been about the weight...Look forward to seeing a few shots with that 400mm on here.

Scoobysmak, congratulations on the new lens. It's the one lens that I would still like to add to my collection (or maybe the 200-400?). Do me a favour, please send me the cardboard shipping box. I so want to see my wife's reaction when I tell her I've gone out and bought one :-)

Mmm Buyen Big Mama Lenses don't you,.. :-)

Well : Congratulations with your new wonderful big bad lens !! I hope you'l shoot loads of wondefull pics with it ( i'm jelous, i cannot afford stuff like that at all.. :-{ )

Anyway, do you not have a good monopod to put underneath this heavyweight yet ?
I gues these are essential for lense like this...
Beanbags are also good and versatile ( for shooting out of (car-) windows and the like...

scoobysmak - so I guess now it's time to get Your butt to gym :), but seriously indeed 400/2.8 is a monster and hard but manageable to handhold - at least much more manageable than 600/4.

PB - on a daily basis I shoot with 300/4 af-s + TC17 and never had a problem with sharpness. so IMHO, it all depends on personal preferences.

Part of the issue is focal length. With the 1.4x TC on my 300mm F4 it is just a little bit longer (but weighs a lot less) and it is still hard to keep the AF point on your subject hand held. Once you're over 300mm a tripod is a must for good results, IMO.

Well I finally got mine, here are the results and figure others might have had the same.

Okay today was good and bad, I got the lens in my hand(s). I was like a kid in a candy store of course but after I opened the case I was like uh, wow I need to look at a ruler again, this thing is massive. Not exactly a bad but I thought I might be able to grab the lens barrel in some situations, uh no either get a forklift or hold the tripod mount (some of this was I didn't want to damage it but you get my point).

I have a gimble head waiting for me to pick it up at my local camera store but they were closed today so I have to wait until tomorrow. Well I wanted to test this today (I think anyone would do the same in this situation). I put on my trusty 70-200 fired at two different subjects out my bedroom window (at 200mm). Then I switch lenses and go for the gusto. Imagine this.....my boss has to drink his morning cup of coffee or he has the "shakes". Now don't let him have his morning cup of coffee and hand him a laser pointer to aim at a target 2000 yards away....this is about what how much motion I had in holding this hand held.

I am your average guy about 6ft around 200lbs. I am not a body builder but no wimp either. I am not sure if I could have focused on the broad side of a barn like this. I know it takes good technique and lots of practice but what a wake up call. I knew I would need the gimble head but figured I might be able to get one or two shots off before I lose my subject, at this moment that doesn't look like a good theory. Either way hopefully tomorrow I can pick up my gimble head and take way better test shots than I did today.

Update.....
Well I got the gimble head but was shipped with the wrong mounting plate. I should get the correct mounting plate to me this week, I hope. At this point I do wonder if other people that have used this lens have the same impression that I do, or do I just need to practice with it that bad.

Or you could try adorama and their own brand tripods. I hear they are also excellent and affordable if money is a concern for you.

Sorry but we don't allow direct links to commercial sites. Try Amazon.com though, and if that doesn't work for you then try Google.

I'm trying to find out how to purchase a DIGIPOD brand tripod. I heard they are goo and inexpensive but i'm having trouble finding a seller. Can anyone help???

You already asked about using the D5000 for concerts and got lots of good suggestions. As far as tripods and monopods go, most venues don't allow them for safety reasons. I would not recommend them even if they were allowed. Tripods especially limit your movement in crowds. You need faster glass. Go back and re-read your original post on this topic. Or do a search for tripod and monopod discussions that deal with which head and set up to buy
http://nikonrumors.com/forum/topic.php?id=2063

Faster glass is likely your best remedy (save for, cranking up your ISO). I don't see any reason not to turn on your VR. And, regarding using another type of hard-mounted support, even if your camera is stable on some sort of hard-mount, your subjects will still be moving (of course, VR won't have any effect on motion blur caused by subject movement). When shooting low-light performances, I would simply recommend faster glass and a monopod (monopods are both less obtrusive, and faster to re-position and set-up than a tripod).

With practice, using a monopod allows you to adjust your frame very quickly with spot-on, precision framing. You'd be surprised how stable you can get with a monopod and VR turned on (I was). When I got my first VR lens (an AF 80-400mm f/4-5.6G), I was able to nail a tack-sharp image with VR active, at shutter speeds as slow as 1/15th sec., all the way out at 400mm, using just a monopod for support.

Hey guys,

Still working with my D5000 on the quest to get the best photos possible in low light, smaller concert venues. As always, the problem is usually (a) it's low light and (b) no flash used (not only many venues - and performers - frown upon that, but I personally don't like flashing a light on someone's face as they're performing).

Once thing I haven't done much, but just realized maybe I should, is to disable the image stabilization, despite not using Flash. As I've heard, IS can actually hurt the picture if using low light, longer apertures and higher ISO, as it does slow down a little the actual shooting.

Now, in order to get THE great pictures in that scenario, of course, I'd need a tripod, or at least a monopod, I imagine. Which is where my question goes:

From those of you used in shooting in those scenarios, what's your best suggestion for shooting good pictures without, well, bothering others or yourself?

Any suggestion on the best option for tripod/monopod, that is accepted by most venues, doesn't get in the way of other people and, to be honest, doesn't make you look silly for carrying around a tripod with you to a cool music lounge?

I'd thought about those small malleable tripods that sell for a few bucks, and mount them on top of a speaker or something, but I'm not sure if those work that well with a D5000. I'd also thought about those Gorillapods, or even the kind you can mount on your own body. But, then again, not sure if any of those work.

I'd also considered remotes but, then again, it could a nuisance in a public place. And it'd be funny to activate someone else's camera by accident using it... :-)

Anyway, I'm sure there's no magical solution but, since I haven't asked questions on this in a while here, I thought I'd drop by!

Thanks!
Danny.

photorocket - this lens already has all "new" things such as: N coating, VR II - so there's not gonna be an update to this lens soon. apart from that, for what kind of photography are You gonna use it? if You going to put it on tripod, than You can consider the old version (pre VR), as IQ is quite the same between this lenses, which can't be spoken about the price; as for availability - well.. it's exotic lens, so wouldn't expect to see it on shelves

Do you know if the lens will be updated anytime in the near future? Seems like a good candidate like the 300mm.

Didn't this lens already get a recent update? At over $8000 dollars it's just a high priced item that not very many places will stock. You'd probably have better luck getting it through your local Nikon rep, but Amazon and Adorama say they have it in stock.

I'm looking to buy the Nikon 400mm f/2.8. It seems that this lens is out of stock everywhere. Is Nikon going to come out with a new version?