msmoto said:
And, another

If it is not reading in the computer also I would maybe think about the card being faulty. I would try another and if the new one works fine send the bad one back to Sandisk for a replacement.

This happened with an offbrand card I had...I couldn't even recover anything from it because nothing would even recognize the card. I lost the pics...I sent the card back and got a replacement, but I haven't use that brand card again. Bought a Sandisk card and haven't had a problem since.

The easy answer to both of these is to reformat the card and try again. The harder answer is if you want to try and recover any of the data from the card before reformatting. SanDisk used to bundle a product called Rescue Pro. You can still download a demo version for free to see if you can recover before buying a license.

Honestly, some sort of data recovery software should be in every photog's bag. It's just as important as a sensor cleaner :-)

The reason I'm digging this thread up is that we should probably put together a sticky trouble shooting thread and put all of the first answers in there:

Did you reset your camera? Did you pull the battery? Try a different lens? Is the cap off? Etc... Anyone else think this is a good idea?

And, another

diamondz said:
I just purchased a Nikon d5100 from Besy buy and along with it a new 16gb sandisck sdhc card. when I turned it on today..it said that there was no sd card installed..when in fact it was there... i had taken some photos and some videos..just trying to get the feel of the new camera..but i cant get any of them to pull up. I have been reading about this issue and my firmware is already up to date. Has anyone had this issue with up top date firmware? I will get e new card and try it..any reccomendations. The card is also not readable in my laptop either..it could be the card..but i could preview my pictures in the camera at one time..now it insists that there is no card installed.

stillriver said:
We bought a Nikon D5100 for a trip to Tanzania this past month. For the first several days, everything worked fine. My husband downloaded and cleared the 32G SD Card onto a MacAir computer each night. He was taking mostly still shots. On the day that we saw a leopard and a couple of Cheetahs, he switched to shoot video. The camera went blank after a minute and the hourglass displayed stating "can't read card data". He turned it off and on again but had the same issue. When we got back to the lodge, he inserted the data card into the computer and it didn't even register that the device was inserted! There was no icon on the desktop noting that the SD card was inserted. So--has anyone else had this problem? The camera is 3 weeks old. We are hoping against all odds that there may still be a way to capture the data on the card. BTW, we had another data data card we used for rest of trip with no problem but we never used video again. We're not sure if it was a card problem or switching to video or a lemon camera problem? Thanks for your help! Glad to have found this Forum.

Here's a video of an interview with an astronaut.

http://vimeo.com/51632896

It's really interesting, especially the Q and A at the end and the considerations and things they keep in mind when they photograph things.

They even modified a D3s for IR photography. Too bad I'm not qualified because I don't speak Russian, or else I'd go up there in a heartbeat!

Nope...SanDisk cards are the best. It is a firmware problem.

CrawfDJC said:
I have just bought a D5100 and a Sandisk Extreme 16GB SDHC card. I put the card in, formatted it and then over the next couple of days I got a "NO SD CARD INSERTED" error. It is an intermittent fault - I would pull it out, put it back in and it would work for a couple of shot but them the error would return. I returned the card and swapped it for a new Sandisk Extreme 16GB SDHC card but the same issue is still happening.

Is there something I am missing or is there an issue with the D5100 and these cards?

I am about to update the firmware - a new release on the 10/11 - to see if this helps but any help would be appreciated.

Godless said:
Have you met the 24mm 1.4G yet? Really, really sharp - and fast.

Can´t get a better FX wide angle for Nikon at the moment IMO (the 14-24 is sharp, two stops slower and no filters though. 16-35 f/4 VR is sharp at the wide end, distorts a lot though. And both are clumsier and heavier to carry around than the 24mm G)

I have not tried any of the new 1.4s (other than the 50mm that I own and the 85mm.) I like smaller primes for walk around purposes and would actually prefer a new 2.8 for it's size.

I will have to get either the 16-35mm or 14-24mm that will be more of a work "need" decision. Depends if I can get into some design firms for interior shots (14-24) if not then I'll get the 16-35mm. Another gig I have a bid in for would push me towards a 24mm or 45mm PC lens or maybe even the 85mm. (maybe a thread I will start soon.) I'll have to rent those to figure that out but I would not be disappointed if it ended up that I need the 24mm.

For me since moving to FX and even before, my preference has moved towards the 50-125mm range. I'm saving up for either the 85mm 1.4g or the 125DC & 85mm 1.8g but that is low on the list. I'm getting close to purging out most of my glass, upgrading a few, and adding a PC or two.

Right now my Tokina 17mm f3.5 ATX is just amazing me. It was my 25mm on DX but now it is showing it's full form - and not disappointing one bit. With the D800 I can crop tons so even being wider than I need is not an issue.

Godless said:
Have you met the 24mm 1.4G yet? Really, really sharp - and fast.

Can´t get a better FX wide angle for Nikon at the moment IMO (the 14-24 is sharp, two stops slower and no filters though. 16-35 f/4 VR is sharp at the wide end, distorts a lot though. And both are clumsier and heavier to carry around than the 24mm G)

Why would you say their is "no" filters for the 14-24? Their is the Lee Filter, as well as, the Fotodiox Pro. So with all do respect you statement is incorrect. Is the 24 1.4 sharp....yes indeed it is...would welcome it to my bag in the near future. However, the flexibility of the 14-24 2.8 and its amazing ability to take very sharp images, IMHO, offer the photography far more creative and usable lens.

In closing, when a person has invest close to $2000 worth of capitol in order to obtain either of these lenses, filter cost is really not an issue. So by all means don't come back at me with that. These lenses are made to be shot naked, hence no need UV filter. The only filter on should consider putting in for of these amazing lenses are ND filter or Fluorescent filters.

TaoTeJared said:

-60mm - is the sharpest lens Nikon makes. G or D both are wicked sharp. I have passed on the G since the override and Nano coating mean little for my use.
-105mm (D or G-VR) - is the second sharpest lens Nikon makes.

Beyond these two, everything else is really close. I would say the newest Pro zooms are sharper than the prime equivalents. Anymore with new optics, I no longer assume Primes are always sharper. I haven't used the 24-85vr yet but I'm sure it is quite sharp.

Have you met the 24mm 1.4G yet? Really, really sharp - and fast.

Can´t get a better FX wide angle for Nikon at the moment IMO (the 14-24 is sharp, two stops slower and no filters though. 16-35 f/4 VR is sharp at the wide end, distorts a lot though. And both are clumsier and heavier to carry around than the 24mm G)

I had the 50/1.8d, and now HAVE the 50/1.8G. The bokeh and build quality of the newer G lens is much better. Sharpness...to me they are close. Really close, but some say the far corners are much better on the G. I know the G is certainly a little better at 1.8-2.0.

The 24-85Vr should serve you well. I NEVER use my zooms at widest setting. NEVER. This goes for 16-35VR, 24-120VR (any version of 24-120 loaded with distortion), or 70-300VR.

You can correct distortion pretty easily on that lens (24-85) as long as you're not trying to shoot at 24mm. I think the 28/1.8 would be the next lens I bought. I did try out the 35/1.4G yesterday at Calumet and it was fabulous. A little overpriced, but great. I like the 35mm FL, it's more versatile than 50mm IMHO. Good luck

They don't call me SkintBrit for nothing. As someone who has invested in the trinity zooms, and 24/50/85mm 1.4G primes over the last couple of years, I can certainly vouch for the advise given by Tao and Spraynpray (and others). My D3s and 700 are still good cameras, but have nose dived in value over the last few months, my lenses on the other hand have held their own. I have made the conscious decision to spend any available funds on glass to start with (which is why I can't afford to buy a couple of D4's at the moment), and have no regrets. I whole heartedly agree with advise given by Eric, to wait until you can buy a pro spec lens, one that will be a drastic improvement on what you already have.

spraynpray said:
That is good advice even though most ignore it because they think the next generation gadget (body) is going to give them better pictures than good glass.

I wonder how many people here made a one generation jump on a body and have come to realise (or can bring themselves to admit) that pro glass would have given better results? I realise that now so I will not change my body before I have PRO FX glass now.

+1

Sensor Smensor - It's the Glass that is Bad Ass!

Eric said:

If you start buying good glass now, you will still have it in 20 years.... but the D600 is sure to be obsolete.

That is good advice even though most ignore it because they think the next generation gadget (body) is going to give them better pictures than good glass.

I wonder how many people here made a one generation jump on a body and have come to realise (or can bring themselves to admit) that pro glass would have given better results? I realise that now so I will not change my body before I have PRO FX glass now.

@roombarobot - I think you should consider saving your money and buying a really good piece of pro glass when you can afford it. Whatever you get should offer you something significant beyond what you now have. For example the Zeiss that msmoto suggests would be a worthy goal. Another possibility is the 105 micro VR (I prefer it to the 60 for macro work), a third would be either the 105 or 135 DC lenses (both are f/2) for the incredible bokeh. Or how about one of the PC lenses. If you have your heart set on one of the primes in the focal length you originally listed, I think it should be a f/1.4 (both the 50mm G & D are pretty good.) Of course the 24mm f/1.4 is incredible. But having said all that I think the lens that you would enjoy the most is the 14-24 f/2.8.

If you start buying good glass now, you will still have it in 20 years.... but the D600 is sure to be obsolete.

just my two cents.

@donaldejose, I agree and was coming around to that as well. I think what I don't have is a fast lens. I've been turning my eyes towards the f1.8G family of primes. Those three (28, 50, & 85) seem to be well regarded by most. Probably time to think more, research more, and most importantly, save some more.

roombarobot: Might I suggest thinking like this: You already have all the basic focal lengths covered from 24mm to 300mm. The only weaknesses in your range is f-stop or close focusing or maximum sharpness. As a rule of thumb most lenses are at their best about two stops down from their widest opening. At 300mm you are limited to f5.6 so you would have to shoot at f8 or f11 to get the most sharpness that lens can deliver at 300mm. At 24mm you are limited to f3.5 which stopped down for sharpness will have you shooting at f5.6 or f8. At 85mm you are limited to f4.5 which stopped down for sharpness will have you shooting at f8 to f11. You are currently thinking of your current lens selection limitations in terms of millimeters. I suggest thinking in terms of usable f-stops. You have seen many portraits on PAD which have a sharp face and a creamy background. You will not be able to produce that effect at the f-stops you currently have available. You need an f-stop of 1.4 to 2.8 to produce that effect. So that is a limitation which suggests the first prime you should add would be one that lets you do something you now cannot do: shoot at f1.8, f2, and f2.8. This suggests the 50mm 1.8 or the 85mm 1.8 as the next lens to buy. Similarly, your two current zooms limit your close focusing on a subject. Try what you have on flowers and see if they focus close enough for you. If not, consider a macro lens as your first prime. This suggests the 60mm 2.8 AF-D. Finally, you are limited in maximum sharpness since your zooms are fully adequate but not the ultimate in sharpness. This suggests a 50mm 1.4 or 1.8, 85mm 1.8 or 90mm macro as your first prime. But be forewarned that a very sharp poorly composed photo is still a poor photo and ultimate sharpness with any lens requires the inconvenience of tripod use. I like to think "adequate sharpness to accomplish the task at hand rather than ultimate sharpness."

So, as an exercise, put millimeters out of your head and ask yourself what task you would like to do that your current two zooms don't let you do? Then buy a lens which will let you do that task.

TaoTeJared said:
First, every current lens in Nikon's line up is sharp. There is no such thing as a bad or dull lens. Some are sharper than other, but none will keep you from taking great images.

I base my lens purchases (actually updates/upgrades) based on what range I shoot the most of. In Lightroom you can see how many photos one takes with any lens and aperture range. If you like macro - look at a 60mm. If you like a wide, get a wide. None of us, and it sounds like you may not as well, know what you want to shoot and expand your experience with. Sometimes you just have to shoot more to find out.

A 50mm is a natural choice and many had used one as their only lens for most of their shots. That said, it is the cheapest as well.

spraynpray said:
I always thought 'Normal' when applied to lenses referred to the perspective not the angle of view. Shorter than 50mm (on full frame) stretches it and longer compresses it.

BTW Godless you didn't say what you are on - DX or FX? I generally agree with your point though. I find 50mm on DX completely <meh> but that is just my opinion.

+1 TTJ about the 50mm.
if you're asking for advice on which focal length to get, the 50 is a good choice to tell you which lens you would need, wider or narrower.

First, every current lens in Nikon's line up is sharp. There is no such thing as a bad or dull lens. Some are sharper than other, but none will keep you from taking great images.

I base my lens purchases (actually updates/upgrades) based on what range I shoot the most of. In Lightroom you can see how many photos one takes with any lens and aperture range. If you like macro - look at a 60mm. If you like a wide, get a wide. None of us, and it sounds like you may not as well, know what you want to shoot and expand your experience with. Sometimes you just have to shoot more to find out.

A 50mm is a natural choice and many had used one as their only lens for most of their shots. That said, it is the cheapest as well.

@Tao, you busted me, I don't know what I want. :P I am just trying to learn here. I don't think I even knew what I was asking for, but I have learned a lot from this discussion. This really is a great group of people! Thank you all!

What I think I would ask now, is what is a good compliment to my 24-85mm VR and 70-300mm VR. I thought that would be a prime of some sort. I assumed that the zoom would be less sharp than a prime, but maybe that idea is outdated. Perhaps a good compliment would be something that is sharp and fast, like the 50mm or 60mm. I really don't know, which is why I was asking what I should be thinking about and saving for.

Keh repairs cameras and sells used equipment. I have purchased many items from them and have found them to be extremely reliable. Packaging was good. Everything arrived in good shape and in the condition stated. I don't think I have purchased anything they rate as UG (ugly). Nor have I purchased NEW or LN (like new). I usually purchase items rated EX (excellent) or EX+ (excellent +)

The only disagreement I have with Tao's suggestions above is that one can read into it an inference that a macro lens is only "useful for doing a large amount of macro work." A macro lens focuses from very close to infinity. Macro usually means tiny things like insects to more people. But "near macro" can be larger objects such as flowers. A "macro" lens can be used to shoot landscapes and portraits and flowers as well as insects. Your 24-85 kit lens already contains a 60mm setting. Anything you would now photograph at that 60mm setting can be photographed with a 60mm macro lens. That is why I referred to it as a lens which can do "double duty."

@roombarobot - I'm trying to figure out what your goal is. Walk-around prime is one thing - finding the sharpest lens is another - trying to test the sensor is a third. The three don't go together in any lens invented for Nikon. You have to go to Leica's 50mm or 35mm 1.4s for that.

Walk around - useful all the time.
Sharpest lens - useful for doing a large amount of macro work.
Test the sensor - useful only once.

I would suggest figuring out what you want to use the lens for a year from now when the newness has worn off your camera.

Obsessing over finding the sharpest lens is not what I would suggest. A sensor is not tested by the "sharpness" of a lens - it is tested by the person using it. If you are not shooting 100% of the time from a tripod, having the sharpest lens means little.

But if you really want the sharpest, here are my findings of what you have suggested:

-60mm - is the sharpest lens Nikon makes. G or D both are wicked sharp. I have passed on the G since the override and Nano coating mean little for my use.
-105mm (D or G-VR) - is the second sharpest lens Nikon makes.

Beyond these two, everything else is really close. I would say the newest Pro zooms are sharper than the prime equivalents. Anymore with new optics, I no longer assume Primes are always sharper. I haven't used the 24-85vr yet but I'm sure it is quite sharp.

This is the order I would put the rest -
50mm: (1.8G followed by 1.4G) - 28mm 1.8G (from reports I have seen) - 24mm D 2.8 - 35mm D 2.0 - 18mm D 2.8 - 20mm D 2.8.

28mm D 2.8 is one to stay away from.

No one mentioned the 28 F1.8G...although a little more expensive, not too bad really. If you don't know though the 50 F1.8G seems like a cheap option to try.

Or since you don't really know what you want...wait and save to buy something nice like the 24 F1.4 or an F2.8 zoom.