Some additional Nikon coverage from the 2012 CP+ show in Japan. All images and videos are copyrighted and belong to their respective owners. Click on images for larger view. Throughout the weekend I will be also uploading CP+ coverage from other manufacturers on PhotoRumors, check it out.

The first report is from Samuel Morse - expect a detailed post on the D800E on his blog in the next few days:

As for my impressions, there were a couple things I haven't heard anyone say yet about the new Nikons. Having the dedicated movie record button on top, moving the mode button closer to the flash, puts the mode button just out of reach without moving your hand. It was really surprising to me at first, but I could see probably getting used to it, and it's not a button I use with great frequency, so it's a minor quibble. Overall, the D800E felt really good in my hands, better than my D700 in some ways. The prints from the D800E were up on the wall and you could just walk right up to them and look closely, and the detail held up beautifully. My main beef with it is a marketing one. Nikon says that when the D800(E) is in its crop modes, it masks the rest of the viewfinder to tell you where your view is. This is not the case. It doesn't truly mask it with a 50 percent black like the D3 or D4 do. It just makes a box like the D700. I really wish they had added the higher-end masking.

Nikon D800E compared to the Nikon D700

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The second set of pictures is from Psycho_McCrazy who also sent me his first impressions on the Nikon D800:

D800 Hands On (My Take):

1. The AF points in the viewfinder behave similarly to the D700 (persistent Black rectangles, unlike the D3/s/x/D4's Fading red ones.)
2. The MB-D12 Battery grip has an alloy shell, properly pro-grade.
3. The D800 will demand skilled handling technique, the 36 megapixels are extremely unforgiving in terms of motion blur even at 1/100 on an 85 mm lens. (or maybe I was shaking with excitement!!!)
4. Shutter lag and VF black-out are superfast (especially compared to the D70 that I was shooting with)

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The next set of CP+ photos are from gqtuazon:

Nikon D800 on the left, D700 on the right

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Some more pictures and Nikon D4 video demos from Clark Tanaka are next.

Nikon D4 3D tracking demo:

Nikon D4 burst buffer demo:

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An interesting article found on bernama.com about the production capacity of the Nikon plant in Sendai:

"With the current 1,600 workers, the factory is producing one unit of camera per minute on a daytime shift with each unit of the D800 variant produced every four hours and the D4 variant every five hours."

The Nikon D4 and D800 are made out of 1,600 components.

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BestBuy is also taking pre-orders for the Nikon D800, but the actual listing is buried in the site - go to www.bestbuy.com and search for "D800" of for the SKU "4827167". The Nikon D800E is not listed.

Full list of pre-order options available here.

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Nikon D800 with MB-D12 battery grip

The latest Nikon D800 updates:

• Adorama and B&H are now taking pre-orders for the Nikon MB-D12 battery grip for D800 (MS-D12EN battery tray is also available).
• Today the CP+ show opened its doors in Japan and the D800 will be on display - see the first image of the Nikon booth. I will have several readers sending me images and reports from the show and I will post them online in the next few days.
• Nikon D800 is expected to start shipping on March 18th, 2012 for the US.
• New post on the Nikon D800 from Cliff Mautner with some high ISO samples. You can also see his gallery on the D800 micro site.
• Nikon D800 thoughts by Milan Josipovic (incl. downloadable TIFF image).
• Jim Brandenburg shot the D800 in France.
• Nikon D800 was ready for release in the first half of 2011 but the disasters in Japan and Thailand caused the delay. This image by Rob Van Petten for example was probably taken on July 1st 2011. How do I know? Because of the Empire State Building light patterns - on that date the Empire State was lit with what they refer to as private lighting (blue, lavender, and purple). See the Empire State Building lighting schedule.

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Here are the first few images from the Nikon booth at the CP+ show in Japan (click for larger view)

Sony XQD cards and the new Tamron SP 24-70mm f/2.8 Di VC USD lens:

All images are also uploaded on Flickr, g+ and Facebook. More to come...

Images credit: Jeff Chen

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Here is a quick comparison between the Nikon D800 and Nikon D700 based on the specifications listed on Nikon's website.

I was told that the D700 will go down in price in the next few days - in France for example, the price is expected to drop from the current EUR 2,100 to EUR 1,800. I have no confirmation about US prices yet.

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OneCall also just opened their pre-orders for the Nikon D800 and Nikon D800E.

Full list of pre-order options available here.

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Another chance to get on the top of the waiting list - J&R just opened their pre-orders for the Nikon D800 and Nikon D800E.

Other pre-orders options available here.

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Few more D800 updates:

• Poll: did you order the D800/D800E?

• Nikon D800 is the first SuperSpeed USB certified camera (see entire press release):

About SuperSpeed USB

SuperSpeed USB brings significant performance enhancements to the ubiquitous USB standard, while remaining compatible with the billions of USB-enabled devices currently deployed in the market. SuperSpeed USB delivers up to 10x the data transfer rate of Hi-Speed USB, as well as improved power efficiency. SuperSpeed USB offers effortless video streaming, music and photos at your home, office, car and anywhere in between. The USB 3.0 specification was developed by the USB 3.0 Promoter Group, which consists of Hewlett-Packard Company, Intel Corporation, Microsoft Corporation, Renesas Electronics, ST-Ericsson and Texas Instruments.

• New Nikon D800 high ISO samples available here.

• This music video was shot with a Nikon D800:

This is the official music video for "You're On" by the danish/norwegian band EUZEN from the latest album "Sequel". The video is directed by Morten Rygaard and produced by NIKON Nordic. The video is filmed with the new NIKON D800.

and behind the scene video:

Due to the large number of emails I am receiving, I will not be able to reply to all as I usually do. I expect to be back on track next week.

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Here are several Nikon D800 and D800E pre-order options:

B&H:

• Nikon D800
• Nikon D800E

Adorama:

• Nikon D800
• Nikon D800E

Ritz Camera:

• Nikon D800
• Nikon D800E

Amazon:

• Nikon D800 (SOLD OUT)
• Nikon D800E (SOLD OUT)

Amazon Germany:

• Nikon D800

Amazon Japan:

• Nikon D800

Amazon UK:

• Nikon D800

Jessops (UK):

• Nikon D800 & D800E

Nikon MB-D12 battery grip for D800 pre-order options:

• Adorama
• B&H (MS-D12EN battery tray is also available)

more pre-order options coming soon...

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If you missed on the earlier purchase options, Ritz Camera is now also taking pre-orders for the Nikon D800 and Nikon D800E cameras.

Amazon is already sold out.

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Some additional Nikon D800/D800E coverage from around the Web:

• Updated Nikon D800/D800E pre-order options (now including Adorama, Jessops, Amazon is SOLD OUT)
• Nikon D800 samples by Cliff Mautner (updated link)
• John Wright on the Nikon D800 launch
• More on the Nikon D800/E sensor (samples, moire, ISO, etc.)
• Nikon stock is up 13%
• Nikon D800/D800E is made in Japan
• The size of the Nikon D800/D800E RAW files is around 75 megabytes (NEF, uncompressed, 14bit)
• Rob Van Petten on the D800 (with samples)

• Another promo video shot with a D800:

• More D800 hands-on videos:

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And here is the Nikon D800 promo motorcycle video with Mark Miller that was shot in Chicago. Enjoy!

"Joy Ride" behind the scene video:

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The Nikon D800 is now officially announced:

• Nikon Japan breaks the news first
• D800 announcement on nikon.com
• D800 @ Nikon Imaging
• D800 microsite
• D800 brochure download
• D800 digitutor
• D800 sample images
• D800E sample images
• D800 samples @ Nikon Japan
• Nikon D800 samples by Cliff Mautner
• Brochure download
• Nikon D800 price: $2999.95
• Nikon D800E price: $3,299.95

The New Nikon D800 Offers Unrivaled Resolution and Features Designed for a Variety of Demanding Professional Photographic and Multimedia Disciplines, Videographers and Filmmakers

MELVILLE, N.Y. (Feb 6, 2012) – Today, imaging leader Nikon Inc. announced the highly anticipated D800 HD-SLR, engineered to provide extreme resolution, astounding image quality and valuable video features optimized for professional still and multimedia photographers and videographers. A camera with an unmatched balance of accuracy, functionality and image quality, the Nikon D800 realizes innovations such as a high resolution 36.3-megapixel FX-format CMOS sensor, a 91,000-pixel RGB Matrix Metering System, Advanced Scene Recognition System and many other intuitive features designed to create the preeminent device for the most demanding photo and video applications.

Whether shooting high fashion, weddings or multimedia content, Nikon’s highest resolution sensor to date, a groundbreaking new 36.3-megapixel (7360 x 4912 resolution) FX-format CMOS sensor, affords flexibility and astonishing image quality to satisfy a myriad of client requests. The Nikon D800 incorporates the latest 91,000-pixel 3D Color Matrix Metering III and the Advanced Scene Recognition System, coupled with an improved 51-point AF system for images with amazing sharpness, color and clarity. With its compact, lightweight D-SLR form factor and extensive video feature set, the D800 allows photographers to transition to multimedia to create an immersive story. Professional videographers will appreciate practical features that go beyond NIKKOR lens compatibility and Full HD 1080p video, such as full manual control, uncompressed HDMI output, and incredible low-light video capability. With this innovative combination of features, the D800 celebrates resourcefulness and a dedication to the flawless execution of an epic creative vision. All of this is driven by Nikon’s latest EXPEED 3™ image processing engine, providing the necessary processing power to fuel amazing images with faithful color, a wide dynamic range and extreme resolution.

“Whatever the project, visionaries need a tool that is going to help them stay on-time and on-task. The Nikon D800 re-imagines what is possible from this level of D-SLR, to address the needs of an emerging and ever changing market; this is the camera that is going to bridge the gap for the most demanding imaging professionals, and provide never before seen levels of SLR image and video quality,” said Bo Kajiwara, director of marketing, Nikon Inc. “The D800 is the right tool for today’s creative image makers, affording photographers, filmmakers and videographers a versatile option for capturing the ultimate in still image quality or full HD content, with maximum control.”

Extreme Image Quality
The new Nikon developed 36.3-megapixel FX-format (35.9 x 24mm) CMOS sensor realizes Nikon’s highest resolution yet, and is ideal for demanding applications such as weddings, studio portraiture and landscape, where there is no compromise to exceptional high fidelity and dynamic range. Nikon’s first priority is amazing image quality above all else, and resolution of this magnitude affords photographers the ability to portray even the smallest details, such as a strand of hair, with stunning sharpness or crop liberally with confidence. Photographers also shoot with the assurance of NIKKOR lens compatibility, because only a manufacturer with decades of optical excellence can provide the glass to resolve this kind of extreme resolution.

For shooting with minimal noise in a variety of lighting conditions, the D800 features a wide native ISO range of 100-6400, expandable to 50 (Lo-1)-25,600 (Hi-2). Nikon engineers have created innovative ways to manipulate light transmission to the sensor’s photodiodes, giving users the ability to shoot with confidence in challenging lighting conditions. Internal sensor design, an enhanced optical low pass filter (OLPF) and 14 bit A/D conversion with a high signal to noise ratio all contribute to a sensor capable of excellent low light ability despite the extreme resolution. Every aspect of this new FX-format sensor is engineered to deliver amazing low noise images through the ISO range and help create astounding tonal gradation and true colors, whether shooting JPEG or RAW. Images are further routed through a 16-bit image processing pipeline, for maximum performance. To further enhance versatility, users are also able to shoot in additional modes and aspect ratios such as 5:4 to easily frame for printed portraits or a 1.2X crop for a slight telephoto edge. For even more versatility, photographers can also take advantage of Nikon DX-format lenses for more lens options and enhanced focal range (1.5X), while still retaining sharpness and details at a high 15.4-megapixel (4800×3200) resolution.

Contributing to the camera’s rapid performance and amazing image quality is Nikon’s new EXPEED 3 image processing engine that helps professionals create images and HD video with amazing resolution, color and dynamic range. From image processing to transfer, the new engine is capable of processing massive amounts of data, exacting optimal color, rich tonality and minimized noise throughout the frame. Despite the immense data, the new EXPEED 3 also contributes to energy efficiency, affording the ability to shoot longer.

The D800 also features the Advanced Scene Recognition System with the 91,000-pixel 3D Color Matrix Meter III to provide unrivaled metering in even the most challenging of lighting conditions. At the system’s core is a newly designed RGB sensor that meticulously analyzes each scene, recognizes factors such as color and brightness with unprecedented precision and then compares all the data using Nikon’s exclusive 30,000 image database. Additionally, this new sensor now has the ability to detect human faces with startling accuracy, even when shooting through the optical viewfinder. This unique feature is coupled with detailed scene analysis for more accurate autofocus (AF), Auto exposure (AE), i-TTL flash control and even enhanced subject tracking. The Color Matrix Meter also emphasizes priority on exposure of the detected faces, allowing for correct exposure even when the subject is backlit. Even in the most difficult exposures the D800 excels, such as maintaining brightness on a bride’s face while retaining the dynamic range to accentuate the intricate details of a wedding dress beside a black tuxedo.

Advanced new automatic systems make it even easier to capture amazing images. The camera features a new enhanced auto white balance system that more accurately recognizes both natural and artificial light sources, and also gives the user the option to retain the warmth of ambient lighting. Users can expand dynamic range with in-camera High Dynamic Range (HDR) image capture, and enjoy the benefits of Nikon’s Active D-lighting for balanced exposure. Another new feature is direct access to Nikon’s Picture Control presets via a dedicated button on the back of the body to tweak photo and video parameters on the fly, such as sharpness, hue and saturation.

True Cinematic Experience
The Nikon D800 has a compact and lightweight form factor that’s preferable for a production environment, yet is packed with practical and functional features. The D800 is ideal whether the user is a filmmaker on location or in the studio or a documentarian in the field who requires portability and the NIKKOR lens versatility and depth of field that only a HD-SLR can offer. Filmmakers have the choice of various resolutions and frame rates, including Full HD 1080 at 30/24p and HD 720 at 60/30p. By utilizing the B-Frame data compression method, users can record H.264/MPEG-4 AVC format video with unmatched integrity for up to 29:59 minutes per clip (normal quality). This format produces higher quality video data without increasing file size for a more efficient workflow. The optimized CMOS sensor reads image data at astoundingly fast rates, which results in less instances of rolling shutter distortion. The sensor also enables incredible low-light video capability with minimal noise, letting filmmakers capture footage where previously impossible or expensive and complex lighting would otherwise be necessary. Users are also able to have full manual control of exposure, and can also adjust the camera’s power aperture setting in live view for an accurate representation of the depth of field in a scene. Whether shooting for depth of field in FX-format mode, or looking for the extra 1.5X telephoto benefits of DX mode, the high resolution sensor of the D800 allows videographers to retain full 1080p HD resolution no matter which mode they choose to best suit the scene. Users are also able to easily compose and check critical HD focus through the 921,000-dot, 3.2-inch LCD monitor with reinforced glass, automatic monitor brightness control, and wide viewing angle.

For professional and broadcast applications that call for outboard digital recorders or external monitors, users can stream an uncompressed full HD signal directly out of the camera via the HDMI port (8 bit, 4:2:2). This output signal can be ported into a display or digital recording device or routed through a monitor and then to the recording device, eliminating the need for multiple connections. This image can also be simultaneously viewed on both the camera’s LCD and an external monitor, while eliminating on-screen camera status data for streaming purposes. The D800 also includes features concentrated on audio quality, such as a dedicated headphone jack for accurate monitoring of audio levels while recording. Audio output levels can be adjusted with 30 steps for precise audio adjustment and monitoring. The D800 offers high-fidelity audio recording control with audio levels that can be set and monitored on the camera’s LCD screen. A microphone connected via the stereo mic jack can also be adjusted with up to 20 steps of sensitivity for accurate sound reproduction. What’s more, recording can be set to be activated through the shutter button, opening a world of remote applications through the 10-pin accessory terminal.

Wield Speed and Performance with Astonishing Accuracy
Whether shooting the runway or fast moving wildlife, the enhanced 51-point AF system of the D800 delivers blazing fast AF with tack-sharp results. Nikon has enhanced the Multi-Cam 3500-FX AF sensor module and algorithms to significantly improve low light acquisition, for precise focus to an impressive -2 exposure value (EV). The focus system utilizes 15 cross-type AF sensors for enhanced accuracy, and the system also places an emphasis on the human face, working in conjunction with the Advanced Scene Recognition System to provide accurate face detection even through the optical viewfinder. The camera also utilizes nine cross-type sensors that are fully functional when using compatible NIKKOR lenses and teleconverters with an aperture value up to f/8, which is a great advantage to those who need extreme telephoto focal lengths (single cross type sensor active with TC20E III). For maximum versatility in all shooting situations, whether photographing portraits or static subjects, users are also able to select multiple AF modes, including normal, wide area, face tracking and subject tracking to best suit the scene.

The D800 delivers upon a professional’s need for maximum speed when it counts. The camera is ready to shoot in 0.12 seconds, and is ready to capture with super-fast AF and response speed. To photograph action in a burst, the camera shoots up to 4 frames per second (fps) in FX mode at full resolution, or up to a speedy 6 fps in DX mode using the optional MB-D12 Battery Pack and compatible battery. Further enhancing the speed of the camera and overall workflow, the D800 utilizes the new USB 3.0 standard for ultra fast transfer speeds.

Construction and Operability
The body of the D800 is designed to offer a compact form factor and a lightweight body for the utmost versatility. The chassis is constructed of magnesium alloy for maximum durability, and is sealed and gasketed for resistance to dirt and moisture. Users are able to easily compose through the bright optical viewfinder, which offers 100% frame coverage. For storage, the D800 has dual card slots for CF and SD cards, and offers users the ability to record backup, overflow, RAW/JPEG separation, and the additional option of shooting stills to one and video to the other. For high speed recording and transfer, data can be recorded to recent UDMA-7 and SDXC / UHS-1 cards. The shutter has been tested to withstand approximately 200,000 cycles, and the camera also employs sensor cleaning. The D800 also features a built-in flash and is compatible with Nikon’s acclaimed Creative Lighting System, including a built-in Commander mode for controlling wireless Speedlights.

D800E – Maximum Resolution Unleashed
In addition to the D800, Nikon will also be releasing a supplementary model for those professionals who demand even higher resolution and D-SLR versatility; the D800E. This model treads in medium format territory for studio work or landscape photography when there is no exception to only the highest fidelity and sharpness. This unique alternative model will effectively enhance the resolution characteristics of the 36.3-megapixel CMOS sensor by cancelling the anti-aliasing properties of the OLPF inside the camera. By doing this, light is delivered directly to the photodiodes, yielding an image resulting from the raw light gathering properties of the camera. A color moiré correction tool will also be available within Capture NX2 to enhance the D800E photographer’s workflow.

Price and Availability
The Nikon D800 will be available in late March for the suggested retail price of $2999.95. The D800E version will be available in mid April 2012 for a suggested retail price of $3,299.95.

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Yes, The Nikon D800 will be smaller (and 100g lighter) than the D700.

Thanks Brad HK

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In case you missed the Nikon D800 press release (Google translated):

Sao Paulo, February 6, 2012

Nikon introduces its long-awaited release, the HD-SLR D800, which offers resolution never seen before, amazing picture quality and valuable video resources, still optimized for professional multimedia photographers and videographers. With unparalleled balance between precision and functionality, the Nikon D800 brings innovations such as the CMOS sensor 36.3 megapixel FX-format, 91,000 pixel RGB sensor, advanced Scene Recognition System and many other new features.

Exceptional Image Quality

The new 36.3 megapixel CMOS sensor (7360 x 4912 resolution) and FX format (35.9 x 24mm) is the largest in terms of resolution so far developed by Nikon, and come meet nikonzeiros numerous requests from around the world. It is ideal for situations where you can not compromise the fidelity, such as weddings, photo studio and record landscapes. A resolution of this magnitude gives the photographer the ability to portray even the smallest details with stunning clarity. Every aspect of the sensor of this model was designed to ensure clear images in low light, so it has enhanced features like OLPF converter and a 14 bit A / D to minimize the noise around the picture.

The D800 lives up to Nikon’s reputation of being the sovereign ability to capture in low light thanks to the standard range of ISO 100-6400, expandable to 50 (Lo-1) and 25600 (Hi-2), which helps create gradient amazing colors when shooting JPEG or RAW.

All these image data are directed to a channel of 16 bits for maximum performance. Photographers can also take advantage of the lenses in FX format lenses for more options and increased focal range (1.5X), while still maintaining the clarity and detail in high resolution of 15.3 megapixels (4800×3200).

The D800 has an advanced Scene Recognition System with its array of colors (3D Color Matrix Meter III), which provides precise measurement in the most challenging lighting conditions. At the heart of this system is the innovative RGB sensor that analyzes each scene meticulously, recognizes factors such as light and bright and then compares all the data using the unique database of 30,000 images from Nikon. This new sensor still has the ability to detect faces with high accuracy even when shooting through viewfinder. The Color Matrix Meter also prioritizes the faces detected, allowing the right exposure even when the subject is backlit.

Novelty is also the exclusive image processing engine Nikon’s EXPEED 3, which controls the entire system and is the catalyst behind the responsiveness of the camera’s auto focus and performance. The new Nikon image processing engine is capable of processing huge amounts of data, with perfect color and tone perfect. 3 The EXPEED also contributes to energy efficiency, allowing the user to use the camera for longer.

Featured in the new and improved white balance system of this model that more accurately recognizes both the sources of natural light and artificial ones, and gives the user the option to retain the warmth of ambient lighting.

Users can also capture a greater dynamic range with the HDR function and enjoy the benefits of Active D-Lighting for balanced exposures even in backlit scenes. In addition, the camera offers a dedicated button for quick access to Nikon’s Picture Controls to adjust the parameters of photo and video in real time, such as color, sharpness and saturation.

True Cinema Experience

The Nikon D800 is a compact and lightweight which is ideal for the production environment. Its features are very practical and functional usable by both filmmakers in the field and in the studio or filmmakers. Filmmakers have the option of multiple resolutions and frame ranges, including Full HD 1080 and HD 720 30/24p to 60p. By using the method of data compression B-Frame, the user can record video in H.264 / MPEG-4 AVC up to 29:59 minutes per clip. The optimized CMOS sensor reads the image data on rates incredibly quick results almost instantly.

The D800 also allows videographers to keep the resolution high definition (1080p) regardless of the selected scene mode. Users can also compose and easily check critical focus for HD LCD monitor 3.2 “and 921 000 pixels with reinforced fabric, automatic control of brightness and wide viewing Anglo.

For professionals, it is important to have a camera that has digital recorders and external monitors. With the D800 is possible to transmit an uncompressed HD signal directly off the camera for an HDMI output (8 bit, 4:2:2). This signal can be transmitted to a display, digital recording device or routed through a monitor, eliminating the need for multiple connections. The image can also be viewed simultaneously on the LCD screen and an external display screen while excluding the state data of the camera for streaming media.

The D800 also includes features to enhance the audio quality, as a specific output for headphones used to monitor the audio levels during recording, which can be adjusted within 30 steps. Have the onboard microphone can be adjusted with up to 20 steps of sensitivity for the faithful reproduction of sound. To complete the recording can be configured to be activated via the shutter button.

Shutter speed and performance with amazing accuracy

The autofocus system Advanced Multi-Cam 3500 AF is the next generation of the proven 51-point AF system Nikon. The fully customizable system offers users the ability to capture fast moving subjects in focus and accurately track, or select a single AF point with absolute precision in detail. The focus system uses 15 sensors of the type AF Crusaders for accuracy and the system also emphasizes human faces even when the viewfinder is used. The D800 also employs 9 cross-type sensors fully functional when used with compatible NIKKOR lenses and teleconverters aperture f / 8 or smaller.

For maximum versatility in different situations, users can also select multiple AF modes, including normal, expanded area and tracking of faces and objects / people, even the optical viewfinder.

Ready to shoot in less than 0012 seconds, the Nikon D800 can capture files in FX mode and resolution up to 4 fps, or up to 6 fps with DX mode with the optional battery pack MB-D12 battery and compatible. To further improve the speed of the camera and the overall workflow, the D800 uses the new standard USB 3.0 for fast transfer.

Format and operability

The structure of the Nikon D800 is designed magnesium alloy for maximum durability and reliability. The camera body is closed and sealed with gaskets to resist dust, moisture and also to electromagnetic interference. You can easily picture of the composition through the viewfinder of course, which offers 100% coverage of the scene.

The shutter was tested to withstand 200,000 cycles, ensuring maximum durability, while the sensor cleaning is made by the vibration of OLPF. The self-diagnostic shutter unit also includes a mirror balancer to minimize the residual impact of the “bounce”, improving the AF and zoom viewing time. Furthermore, the display is coated with a new finish protection thermal which serves to resist to overheating during prolonged use. For storage, the D800 has dual card slot for CF and SD cards, offering the user the possibility of recording up when a card is full, recording RAW / JPEG, separately, and the added option of recording still pictures to and video card to another. For recording and transfers at high speed, data can be recorded on the latest UDMA-7 and the cards SDXC/UHS-1.

The D800 also features built-in flash, and is compatible with the acclaimed Creative Lighting System Nikon, including the Command Mode for embedded control Speedlights wirelessly.

Source

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Nikon D800E

I am not 99% sure, but it seems that the price of the Nikon D800E (the version without the AA filter) will be $3,300. The only reason I am not sure is because this is kind of cheap... If true, this will place the regular Nikon D800 at $3,000 or maybe even slightly lower. FIY: when in stock, the Nikon D700 sells for $2,700, the 24MP D3x sells for $8,000.

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You can read all the Nikon D800 details on this Brazilian website including seven official images of the new camera. The full press release (Google translated) is available here.

Additional images (click on each for larger view):

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Moire example (taken with Fuji X100)

Why would Nikon release the D800E with the anti-aliasing (AA) filter removed? The simple answer is to produce sharper images with more details and better resolution. The AA filter removes information that cannot be recorded "correctly" by the sensor. It's basically an extra layer on top of the sensor that reduces the image quality in order to remove certain undesired artifact. If you remove the AA filter, the drawback is that you can get moire patterns in certain situations (see example above). Since several readers have asked me about this topic, here are few related links about anti-aliasing (AA) filters and moire (feel free to add more links in the comment section):

• Anti-aliasing filter on Wikipedia
• Maxmax -this company offers removal of the AA filter for certain Nikon DSLR cameras (see before and after examples)
• An article about moire
• Technical explanation of aliasing

Leica M9, Fuji X100, X-pro1 and many medium format cameras have sensors without AA filters (or with very "weak" AA filters). With this move I believe Nikon is directly targeting medium format users by offering a 36MP sensor without the AA filter in a much smaller and affordable package.

Moire can be removed in post processing. Capture NX also has a moire reduction tool. Here is the above image processed in Lightroom:

Moire removed in post-processing

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