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	<title>Comments on: &#8220;In few days&#8221;</title>
	<atom:link href="http://nikonrumors.com/2010/02/01/in-few-days.aspx/feed/" rel="self" type="application/rss+xml" />
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	<description>where there’s smoke there’s fire</description>
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		<title>By: Anonymous</title>
		<link>http://nikonrumors.com/2010/02/01/in-few-days.aspx/comment-page-1/#comment-49768</link>
		<dc:creator>Anonymous</dc:creator>
		<pubDate>Wed, 03 Feb 2010 20:21:21 +0000</pubDate>
		<guid isPermaLink="false">http://nikonrumors.com/?p=9569#comment-49768</guid>
		<description>lol mrmoo got owned.</description>
		<content:encoded><![CDATA[<p>lol mrmoo got owned.</p>
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		<title>By: MichaelStano</title>
		<link>http://nikonrumors.com/2010/02/01/in-few-days.aspx/comment-page-1/#comment-49747</link>
		<dc:creator>MichaelStano</dc:creator>
		<pubDate>Wed, 03 Feb 2010 17:27:32 +0000</pubDate>
		<guid isPermaLink="false">http://nikonrumors.com/?p=9569#comment-49747</guid>
		<description>I almost placed an order for a 14-24 over the weekend.  Then, I stumbled on the rumors of a 16-35.  I get that it would take filters, and the 14-24 can&#039;t.  I get that the 16-35 is likely to be an f/4, and maybe $700 cheaper.  But, price aside, is there anything in the rumor mill about the 16-35, or other wide zoom, that would seriously challenge the quality of the 14-24, and cause me to wait to order the 14-24?

TIA for any insights.

Mike</description>
		<content:encoded><![CDATA[<p>I almost placed an order for a 14-24 over the weekend.  Then, I stumbled on the rumors of a 16-35.  I get that it would take filters, and the 14-24 can&#8217;t.  I get that the 16-35 is likely to be an f/4, and maybe $700 cheaper.  But, price aside, is there anything in the rumor mill about the 16-35, or other wide zoom, that would seriously challenge the quality of the 14-24, and cause me to wait to order the 14-24?</p>
<p>TIA for any insights.</p>
<p>Mike</p>
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	<item>
		<title>By: carl</title>
		<link>http://nikonrumors.com/2010/02/01/in-few-days.aspx/comment-page-1/#comment-49676</link>
		<dc:creator>carl</dc:creator>
		<pubDate>Wed, 03 Feb 2010 13:39:18 +0000</pubDate>
		<guid isPermaLink="false">http://nikonrumors.com/?p=9569#comment-49676</guid>
		<description>oops ... &quot;Mr. Moo,&quot; not &quot;Moss&quot;.</description>
		<content:encoded><![CDATA[<p>oops &#8230; &#8220;Mr. Moo,&#8221; not &#8220;Moss&#8221;.</p>
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	<item>
		<title>By: carl</title>
		<link>http://nikonrumors.com/2010/02/01/in-few-days.aspx/comment-page-1/#comment-49674</link>
		<dc:creator>carl</dc:creator>
		<pubDate>Wed, 03 Feb 2010 13:38:42 +0000</pubDate>
		<guid isPermaLink="false">http://nikonrumors.com/?p=9569#comment-49674</guid>
		<description>&quot;.2 seconds into the first round, Mr. Moss wins by knockout. DNHJR may never recover.&quot;</description>
		<content:encoded><![CDATA[<p>&#8220;.2 seconds into the first round, Mr. Moss wins by knockout. DNHJR may never recover.&#8221;</p>
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		<title>By: MrMoo</title>
		<link>http://nikonrumors.com/2010/02/01/in-few-days.aspx/comment-page-1/#comment-49662</link>
		<dc:creator>MrMoo</dc:creator>
		<pubDate>Wed, 03 Feb 2010 12:35:18 +0000</pubDate>
		<guid isPermaLink="false">http://nikonrumors.com/?p=9569#comment-49662</guid>
		<description>&quot;ture&quot; does not sound right. How about &quot;true&quot;.</description>
		<content:encoded><![CDATA[<p>&#8220;ture&#8221; does not sound right. How about &#8220;true&#8221;.</p>
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		<title>By: The invisible man.</title>
		<link>http://nikonrumors.com/2010/02/01/in-few-days.aspx/comment-page-1/#comment-49411</link>
		<dc:creator>The invisible man.</dc:creator>
		<pubDate>Tue, 02 Feb 2010 22:01:56 +0000</pubDate>
		<guid isPermaLink="false">http://nikonrumors.com/?p=9569#comment-49411</guid>
		<description>This is what I have (and all I need in my bag):
Nikkor 20mm f/2.8 AF-D
Tamron 28-75mm  f/2.8  (excellent but feel like a plastic toy)
Nikkor 105mm macro AF-S f/2.8
Nikkor 300mm f/4 AF-S VRII (well, not yet)</description>
		<content:encoded><![CDATA[<p>This is what I have (and all I need in my bag):<br />
Nikkor 20mm f/2.8 AF-D<br />
Tamron 28-75mm  f/2.8  (excellent but feel like a plastic toy)<br />
Nikkor 105mm macro AF-S f/2.8<br />
Nikkor 300mm f/4 AF-S VRII (well, not yet)</p>
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		<title>By: Rob</title>
		<link>http://nikonrumors.com/2010/02/01/in-few-days.aspx/comment-page-1/#comment-49296</link>
		<dc:creator>Rob</dc:creator>
		<pubDate>Tue, 02 Feb 2010 13:25:36 +0000</pubDate>
		<guid isPermaLink="false">http://nikonrumors.com/?p=9569#comment-49296</guid>
		<description>Any chance of the P7000 here? I was about to pick up a p6000 until I read about there being a possible replacement in the works!</description>
		<content:encoded><![CDATA[<p>Any chance of the P7000 here? I was about to pick up a p6000 until I read about there being a possible replacement in the works!</p>
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		<title>By: huh</title>
		<link>http://nikonrumors.com/2010/02/01/in-few-days.aspx/comment-page-1/#comment-49294</link>
		<dc:creator>huh</dc:creator>
		<pubDate>Tue, 02 Feb 2010 10:47:07 +0000</pubDate>
		<guid isPermaLink="false">http://nikonrumors.com/?p=9569#comment-49294</guid>
		<description>fad?
with the two major dslr makers charging full steam ahead, this fad isn&#039;t going anywhere. What I do see is DX being pushed to even more basic models and eventualy excuded from the professional body lineups completely.</description>
		<content:encoded><![CDATA[<p>fad?<br />
with the two major dslr makers charging full steam ahead, this fad isn&#8217;t going anywhere. What I do see is DX being pushed to even more basic models and eventualy excuded from the professional body lineups completely.</p>
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		<title>By: Bob</title>
		<link>http://nikonrumors.com/2010/02/01/in-few-days.aspx/comment-page-1/#comment-49293</link>
		<dc:creator>Bob</dc:creator>
		<pubDate>Tue, 02 Feb 2010 10:46:42 +0000</pubDate>
		<guid isPermaLink="false">http://nikonrumors.com/?p=9569#comment-49293</guid>
		<description>All I want is a 24 mm/1.4 (so, great news) and a 35 mm/1.4 (please), that&#039;s all I need.</description>
		<content:encoded><![CDATA[<p>All I want is a 24 mm/1.4 (so, great news) and a 35 mm/1.4 (please), that&#8217;s all I need.</p>
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		<title>By: Matthew Saville</title>
		<link>http://nikonrumors.com/2010/02/01/in-few-days.aspx/comment-page-1/#comment-49292</link>
		<dc:creator>Matthew Saville</dc:creator>
		<pubDate>Tue, 02 Feb 2010 10:45:45 +0000</pubDate>
		<guid isPermaLink="false">http://nikonrumors.com/?p=9569#comment-49292</guid>
		<description>Who still uses 4x5 and 8x10?  Veteran, gallery exhibiting landscape photographers like Rodney Lough Jr, Peter Lik, Thomas Mangelsen, Clyde Butcher.  You&#039;d get laughed out of town, shooting DX and calling yourself a master-class landscape photographer.

(I actually strongly advocate DX for adventure photography, don&#039;t get me wrong.  I really think it&#039;s a great option.  And when they make a 24 MP D700 kinda body, FX will be an amazing option as well.  But that still doesn&#039;t match an 8x10 Velvia, when you&#039;re making a massive gallery print...)

=Matt=</description>
		<content:encoded><![CDATA[<p>Who still uses 4&#215;5 and 8&#215;10?  Veteran, gallery exhibiting landscape photographers like Rodney Lough Jr, Peter Lik, Thomas Mangelsen, Clyde Butcher.  You&#8217;d get laughed out of town, shooting DX and calling yourself a master-class landscape photographer.</p>
<p>(I actually strongly advocate DX for adventure photography, don&#8217;t get me wrong.  I really think it&#8217;s a great option.  And when they make a 24 MP D700 kinda body, FX will be an amazing option as well.  But that still doesn&#8217;t match an 8&#215;10 Velvia, when you&#8217;re making a massive gallery print&#8230;)</p>
<p>=Matt=</p>
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		<title>By: huh</title>
		<link>http://nikonrumors.com/2010/02/01/in-few-days.aspx/comment-page-1/#comment-49291</link>
		<dc:creator>huh</dc:creator>
		<pubDate>Tue, 02 Feb 2010 10:44:16 +0000</pubDate>
		<guid isPermaLink="false">http://nikonrumors.com/?p=9569#comment-49291</guid>
		<description>I just don&#039;t see it happening given the main buyers of expensive high end optics is the professional market which can be asked to pay upwards of 1k for lenses and they will. Even if they shoot DX (which some pros do), they know an FX lens will perform better since they are using the best part of the lens (the center). The majority of DX users, simply do not care to pay more than their camera&#039;s worth on a lens that doesn&#039;t zoom.</description>
		<content:encoded><![CDATA[<p>I just don&#8217;t see it happening given the main buyers of expensive high end optics is the professional market which can be asked to pay upwards of 1k for lenses and they will. Even if they shoot DX (which some pros do), they know an FX lens will perform better since they are using the best part of the lens (the center). The majority of DX users, simply do not care to pay more than their camera&#8217;s worth on a lens that doesn&#8217;t zoom.</p>
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		<title>By: Matthew Saville</title>
		<link>http://nikonrumors.com/2010/02/01/in-few-days.aspx/comment-page-1/#comment-49290</link>
		<dc:creator>Matthew Saville</dc:creator>
		<pubDate>Tue, 02 Feb 2010 10:40:05 +0000</pubDate>
		<guid isPermaLink="false">http://nikonrumors.com/?p=9569#comment-49290</guid>
		<description>Obviously you haven&#039;t seen a wedding photo lately.  Primes are ALL the rage with portrait photographers...

;-)

=Matt=</description>
		<content:encoded><![CDATA[<p>Obviously you haven&#8217;t seen a wedding photo lately.  Primes are ALL the rage with portrait photographers&#8230;</p>
<p> <img src='http://nikonrumors.com/wp-includes/images/smilies/icon_wink.gif' alt=';-)' class='wp-smiley' /> </p>
<p>=Matt=</p>
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		<title>By: huh</title>
		<link>http://nikonrumors.com/2010/02/01/in-few-days.aspx/comment-page-1/#comment-49289</link>
		<dc:creator>huh</dc:creator>
		<pubDate>Tue, 02 Feb 2010 10:39:36 +0000</pubDate>
		<guid isPermaLink="false">http://nikonrumors.com/?p=9569#comment-49289</guid>
		<description>plenty of FX primes there are. however nikon&#039;s full frame line up has the following huge gap for AF-S lenses:
24
35
85
105
135

nikon simply needs to keep addressing those gaps so that it can keep the professional market happy.

As far as the DX market, there is already two normal primes. That&#039;s one more than FX which only has one (50G). Thus it makes total sense for nikon to let the DX market enjoy the selection of DX zooms and DX primes while addressing the needs of the professional market.</description>
		<content:encoded><![CDATA[<p>plenty of FX primes there are. however nikon&#8217;s full frame line up has the following huge gap for AF-S lenses:<br />
24<br />
35<br />
85<br />
105<br />
135</p>
<p>nikon simply needs to keep addressing those gaps so that it can keep the professional market happy.</p>
<p>As far as the DX market, there is already two normal primes. That&#8217;s one more than FX which only has one (50G). Thus it makes total sense for nikon to let the DX market enjoy the selection of DX zooms and DX primes while addressing the needs of the professional market.</p>
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		<title>By: Matthew Saville</title>
		<link>http://nikonrumors.com/2010/02/01/in-few-days.aspx/comment-page-1/#comment-49288</link>
		<dc:creator>Matthew Saville</dc:creator>
		<pubDate>Tue, 02 Feb 2010 10:33:37 +0000</pubDate>
		<guid isPermaLink="false">http://nikonrumors.com/?p=9569#comment-49288</guid>
		<description>When you shoot people, 24 is un-deniably wide.  I&#039;d much rather have a 28 1.4, or better yet a 35 1.4.  I wouldn&#039;t have to worry so much about ladies arms getting distortedly fat when they stand at the edge of my frame...  :-P

=Matt=</description>
		<content:encoded><![CDATA[<p>When you shoot people, 24 is un-deniably wide.  I&#8217;d much rather have a 28 1.4, or better yet a 35 1.4.  I wouldn&#8217;t have to worry so much about ladies arms getting distortedly fat when they stand at the edge of my frame&#8230;  <img src='http://nikonrumors.com/wp-includes/images/smilies/icon_razz.gif' alt=':-P' class='wp-smiley' /> </p>
<p>=Matt=</p>
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		<title>By: Matthew Saville</title>
		<link>http://nikonrumors.com/2010/02/01/in-few-days.aspx/comment-page-1/#comment-49287</link>
		<dc:creator>Matthew Saville</dc:creator>
		<pubDate>Tue, 02 Feb 2010 10:29:17 +0000</pubDate>
		<guid isPermaLink="false">http://nikonrumors.com/?p=9569#comment-49287</guid>
		<description>On the topic of the NEW &quot;holy trinity&quot;...  (14-24, 24-70, 70-200)

I think for landscape photographers, the &quot;holy trinity&quot; will be:

16-35 f/4 VR, + 70-200 f/4 VR.  This is how Canon did it, and both of those lenses are pretty impressive for sharpness.  Throw in a pocket-sized 50 1.4 to fill the range gap and off-set the fact that your other options are limited to f/4, and you&#039;ve got the landscapers trinity!  Either that or a macro 50 like the Sigma 50 2.8, depending on which is more important to you as a landscape photographer; macro or low-light...

=Matt=</description>
		<content:encoded><![CDATA[<p>On the topic of the NEW &#8220;holy trinity&#8221;&#8230;  (14-24, 24-70, 70-200)</p>
<p>I think for landscape photographers, the &#8220;holy trinity&#8221; will be:</p>
<p>16-35 f/4 VR, + 70-200 f/4 VR.  This is how Canon did it, and both of those lenses are pretty impressive for sharpness.  Throw in a pocket-sized 50 1.4 to fill the range gap and off-set the fact that your other options are limited to f/4, and you&#8217;ve got the landscapers trinity!  Either that or a macro 50 like the Sigma 50 2.8, depending on which is more important to you as a landscape photographer; macro or low-light&#8230;</p>
<p>=Matt=</p>
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		<title>By: Kuv</title>
		<link>http://nikonrumors.com/2010/02/01/in-few-days.aspx/comment-page-1/#comment-49284</link>
		<dc:creator>Kuv</dc:creator>
		<pubDate>Tue, 02 Feb 2010 10:11:58 +0000</pubDate>
		<guid isPermaLink="false">http://nikonrumors.com/?p=9569#comment-49284</guid>
		<description>f/1.4 is f/1.4 no matter what size the sensor is. Period. Does the D3x lose a stop of light when you switch to DX mode? A 50mm 1.4 is NOT like a 75mm 2.0 n DX. It has an angle of view of a 75mm, the dof of a 50mm 1.4, and receives the amount of light trough an f/1.4 aparture.</description>
		<content:encoded><![CDATA[<p>f/1.4 is f/1.4 no matter what size the sensor is. Period. Does the D3x lose a stop of light when you switch to DX mode? A 50mm 1.4 is NOT like a 75mm 2.0 n DX. It has an angle of view of a 75mm, the dof of a 50mm 1.4, and receives the amount of light trough an f/1.4 aparture.</p>
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	<item>
		<title>By: rhlpetrus</title>
		<link>http://nikonrumors.com/2010/02/01/in-few-days.aspx/comment-page-1/#comment-49279</link>
		<dc:creator>rhlpetrus</dc:creator>
		<pubDate>Tue, 02 Feb 2010 09:52:11 +0000</pubDate>
		<guid isPermaLink="false">http://nikonrumors.com/?p=9569#comment-49279</guid>
		<description>No, D700+16-35 will be much more expensive than D300+10-24. Each FX piece will be/is more expensive than the DX counterpart. My guess: 16-35mm f/4 ~ USD1,100.00</description>
		<content:encoded><![CDATA[<p>No, D700+16-35 will be much more expensive than D300+10-24. Each FX piece will be/is more expensive than the DX counterpart. My guess: 16-35mm f/4 ~ USD1,100.00</p>
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		<title>By: tim</title>
		<link>http://nikonrumors.com/2010/02/01/in-few-days.aspx/comment-page-1/#comment-49276</link>
		<dc:creator>tim</dc:creator>
		<pubDate>Tue, 02 Feb 2010 07:54:22 +0000</pubDate>
		<guid isPermaLink="false">http://nikonrumors.com/?p=9569#comment-49276</guid>
		<description>Ah the never ending prime/zoom debate. I carry a 24mm 2.8 (interested to see, what the 1.4 will look like), a 50mm 1.4, a 16mm fish and a 70 200 2.8. I must say its a much lighter bag than those bulky 24-70s, and 14-24s.</description>
		<content:encoded><![CDATA[<p>Ah the never ending prime/zoom debate. I carry a 24mm 2.8 (interested to see, what the 1.4 will look like), a 50mm 1.4, a 16mm fish and a 70 200 2.8. I must say its a much lighter bag than those bulky 24-70s, and 14-24s.</p>
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		<title>By: photonut</title>
		<link>http://nikonrumors.com/2010/02/01/in-few-days.aspx/comment-page-1/#comment-49273</link>
		<dc:creator>photonut</dc:creator>
		<pubDate>Tue, 02 Feb 2010 06:30:42 +0000</pubDate>
		<guid isPermaLink="false">http://nikonrumors.com/?p=9569#comment-49273</guid>
		<description>weight and size.</description>
		<content:encoded><![CDATA[<p>weight and size.</p>
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		<title>By: Segura</title>
		<link>http://nikonrumors.com/2010/02/01/in-few-days.aspx/comment-page-1/#comment-49272</link>
		<dc:creator>Segura</dc:creator>
		<pubDate>Tue, 02 Feb 2010 06:12:49 +0000</pubDate>
		<guid isPermaLink="false">http://nikonrumors.com/?p=9569#comment-49272</guid>
		<description>Sorry &quot;PHB&quot;, your logic is dumb.  You completely ignore the high ISO quality of the FX format.  If you think DX format is the Jesus format, then by the same logic a PS with a 1/2.5&quot; sensor is better than DX since the sensor is smaller.  The D300s and the D700 are not the same, the larger sensor is what makes the quality show.  I mean the sensor of FX is twice as large as DX.
Most of my indoor shots are done without a flash, and all of these shots would never have even happened if I was on a DX.</description>
		<content:encoded><![CDATA[<p>Sorry &#8220;PHB&#8221;, your logic is dumb.  You completely ignore the high ISO quality of the FX format.  If you think DX format is the Jesus format, then by the same logic a PS with a 1/2.5&#8243; sensor is better than DX since the sensor is smaller.  The D300s and the D700 are not the same, the larger sensor is what makes the quality show.  I mean the sensor of FX is twice as large as DX.<br />
Most of my indoor shots are done without a flash, and all of these shots would never have even happened if I was on a DX.</p>
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