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IT HAS BEGUN! (Nikon D300s, D3000 + the two lenses)

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This post will be updated multiple times - check back again.

Prices & availability (pre-orders options coming up next):

  • Nikon AF-S DX NIKKOR 18-200mm f/3.5-5.6 ED VR II: $849.95 (available September, 2009)
  • Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II: $2399.95 (available November, 2009)
  • Nikon D3000: $599.95 (available August, 2009)
  • Nikon D300s: $1799.95 (available  August, 2009 - as reported before)

Click the link below for more:

More updates coming, stay tuned.... more links at the bottom of this post.

Now the official press releases from Nikon:

NIKON FURTHER REFINES DX AND FX LENS FAVORITES

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The Professional 70-200mm f/2.8 and the Wildly Popular 18-200mm DX Receive Optical Enhancements and VR II to Benefit a Variety of Photographers

MELVILLE, N.Y. (July 30, 2009) - Nikon today announced the AF-S DX NIKKOR 18-200mm f/3.5-5.6 ED VR II and the AF-S NIKKOR 70-200mm f/2.8G ED VR II, two telephoto zoom lenses further refined to provide photographers with exceptional optics for outstanding image clarity and sharpness, both featuring Vibration Reduction (VR II) image stabilization. The 18-200mm, Nikon’s best-selling premium high-ratio zoom ever, offers enthusiasts excellent versatility. The 70-200mm f/2.8, now benefiting from Nikon's exclusive Nano Crystal Coat, retains its status as a preeminent choice for discerning professionals in a multitude of shooting disciplines.

Both of these lenses use Nikon’s VR II image stabilization technology, which is engineered specifically for, and optimized to, function most effectively for each lens design to substantially reduce camera shake-related image blur. VR II allows photographers to shoot handheld at as many as four shutter speeds slower than would otherwise be possible, better assuring dramatically sharper images—even in challenging lighting conditions. Two VR modes are available: “Normal” mode, ideal for everyday use and panning a subject; and “Active” mode, for use in instances where more constant vibration (i.e. camera shake) is present, such as when shooting from a moving vehicle.

“Nikon’s strong commitment to leadership in lenses drives us to constantly refine NIKKOR lenses to take advantage of newly developed technologies and introduce design innovations,” said Edward Fasano, general manager for Marketing, SLR System Products at Nikon, Inc. “Fifty years after the introduction of the Nikon F-bayonet lens mount, NIKKOR lenses remain an industry standard. We achieve this by investing in research and being attuned to the needs of both FX and DX-format photographers to provide the best lenses possible.”

The 70-200mm f/2.8 VR: Essential Optics Refined
The “go-to” lens of demanding professionals and serious enthusiasts, the 70-200mm f/2.8 is one of the most useful and sought after high-performance lenses for sports, wildlife, portrait, travel and news photographers. Nikon has further refined the lens, with an enhanced optical formula featuring seven extra low dispersion (ED) glass elements. These elements provide the ultimate in rendering characteristics to capture vibrant, high resolution images with optimal contrast. Image quality is further enhanced by Nikon’s Nano Crystal Coat, which reduces instances of lens flare and ghosting, elevating optical performance, even in tricky conditions such as those found in professional sports settings and stage events.

Designed to deliver the pinnacle of image quality in a wide variety of conditions, the new 70-200mm VR II lens also includes a Silent Wave Motor (SWM) for fast, quiet autofocusing. The SWM takes full advantage of 3D tracking autofocus (AF) systems, such as those found on the FX-format D3X, D3 and D700 D-SLR cameras. Three focus modes are available - M, A/M and M/A - for automatically focusing, manually focusing or fine tuning AF performance to best suit the photographers’ needs. Nine rounded diaphragm blades contribute to a more attractive bokeh, allowing photographers create soft and more naturally separated backgrounds that better highlight the subject.

The DX 18-200mm f/3.5-5.6 ED VR: Class-Leading Versatility
The AF-S DX NIKKOR 18-200mm, the next generation of Nikon’s all-time best-selling premium high-ratio zoom, combines an 11X zoom range with VR II to provide DX-format enthusiasts with an extremely versatile zoom range in a compact form-factor. Nikon enhanced construction to include a zoom lock switch, to allow photographers to secure the lens barrel at its minimum length, eliminating the natural gravitational effect that can draw the barrel downward during transport. The inclusion of Nikon’s exclusive Super Integrated Coating (SIC) reduces instances of ghosting or flaring. Whether shooting artistic landscapes or vacation snapshots, this lens provides fast and quiet AF operation with the help of Nikon’s SWM technology.
Designed to be a one-lens solution and weighing in at a scant 19.9 ounces and measuring only 3.8 inches in length, this lens provides an extraordinary (35mm equivalent) picture angle of 27-300mm when mounted on any Nikon DX-format camera such as the new D300s or D3000 D-SLR cameras. Additionally, the optical formula contains two ED glass elements and three aspherical lenses to minimize chromatic aberration and distortion. The resulting images exhibit extreme sharpness, extraordinarily vibrant color and crisp contrast.

Price and Availability
The AF-S DX NIKKOR 18-200mm f/3.5-5.6 ED VR II lens is scheduled to be available at Nikon authorized dealers beginning September 2009 at an estimated selling price of $849.95**. The AF-S NIKKOR 70-200mm f/2.8G ED VR II lens is scheduled to be available at Nikon authorized dealers beginning November 2009 at an estimated selling price of $2399.95** For more information, please visit www.nikonusa.com.

About the NIKKOR brand
With a comprehensive assortment of FX and DX-format lenses and focal lengths, from the new ultra-wide 10-24mm to the super-telephoto 600mm VR, Nikon photographers have come to rely upon the NIKKOR core technologies that contribute to their optical superiority. NIKKOR is the brand name for Nikon’s photographic lenses, which was created by adding an "R" to "NIKKO”, an abbreviation of Nippon Kogaku K.K., the original company name of Nikon Corporation at the time of its founding. In 1933, Nikon marketed its first camera lens under the NIKKOR brand name, the "Aero-NIKKOR” for aerial photography applications. Since then, NIKKOR has been used as a brand name for Nikon’s lenses that symbolizes durability, high image quality and optical excellence.

About Nikon
Nikon, At the Heart of the Image™. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; COOLSCAN® digital film scanners; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics. For the second consecutive year, Nikon D Series digital SLR cameras are recognized as “Highest in Customer Satisfaction with digital SLR cameras, Two Years in a Row, Tied in 2008.” according to the J.D. Power and Associates 2007 and 2008 Digital Camera Usage and Satisfaction StudiesSM. Nikon Corporation, the parent company of Nikon Inc., recently celebrated the 50th anniversary of its legendary F-mount lens-mounting system. Only Nikon has sustained an original lens mount for such an extraordinary period, ensuring that photographers can continue to leverage their previous investments while still taking advantage of new innovations. For more information, dial (800) NIKON-UX or visit http://www.nikonusa.com, which links all levels of photographers to the Web's most comprehensive photo learning and sharing communities.

*According to Nikon testing
** Estimated selling price listed is only an estimate. Actual prices are set by dealers and are subject to change at any time.

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THE NEW NIKON D3000 PROVIDES AN EASY PATH TO FANTASTIC PHOTOS

Combines Proven Technology with Easy-to-Use Interface to Create Affordable, Approachable Entry-Level D-SLR Camera

MELVILLE, N.Y. (JULY 30, 2009) – Today, Nikon Inc. announced the D3000 digital SLR camera, an affordable answer for users looking to experience the superiority of digital SLR photography or enthusiasts seeking a capable, compact D-SLR. The 10.2-megapixel D3000 has features that make it easier than ever to take great pictures, including the new Guide Mode, which lends a smart helping hand to new D-SLR users, and an extensive Retouch Menu, enabling consumers to edit photos, even without a computer. The D3000, which offers an 11-point autofocus system, also leverages proven Nikon D-SLR technologies, including the exclusive EXPEED™ image processing, Active D-Lighting system and 3D Color Matrix Metering II, enabling entry-level D-SLR shooters to take stunning pictures.

“The D3000 combines the best of both worlds, providing picture takers with the ease-of-use currently offered in point-and-shoot cameras alongside the speed, precision and exceptional results that have made Nikon D-SLRs so popular,” said Edward Fasano, general manager for Marketing, SLR Systems Products at Nikon Inc. “The D3000 offers everyone the ability to discover the superiority of D-SLR photography at an affordable price point. We look forward to enabling more consumers to explore the possibilities of D-SLR picture taking and, more importantly, capture life’s memories faithfully.”

Intuitive Assistance On-the-Fly
The D3000 includes the all-new Guide Mode with an easy-to-use interface to help new photographers build confidence in using a D-SLR with step-by-step instruction and inspiration. The Guide Mode, easily accessed by the Mode dial on the top of the camera, displays a variety of shooting situations via the LCD screen, indicating the most appropriate settings for a particular scenario. Users can also see sample photos on the LCD screen, which illustrate the effects of different photo-taking techniques. The Guide Mode also helps users easily review, organize and delete images.

Whether new to D-SLR photography or simply mastering new shooting techniques, the D3000’s Guide Mode assists users in exploring effective picture taking solutions at their own pace to make capturing great pictures even easier.

Small in Size, Big on Features
With elegant ergonomics, softly rounded corners, and a comfortable grip, the D3000 packs powerful technology into a compact form factor. Though the D3000 is tiny when compared to professional D-SLR cameras, it boasts a large, bright three-inch 230,000-dot LCD screen, and now features an easier-to-read font size, 20 percent larger than in previous Nikon D-SLRs.

Quick performance and response are at the core of the D3000’s design and its 11-point Multi-CAM 1000 autofocus system makes it easy to find and focus on a subject. Also, the D3000 offers split-second shutter response, eliminating the frustration of shutter lag, as well as the ability to capture images up to three frames per second, allowing users capture every moment. Users can enjoy the benefits of Nikon’s advanced 3D Subject Tracking, which continuously focuses on a fast moving subject throughout the frame.

The D3000 provides multiple ways for users to engage with their pictures, post capture. It uses Nikon’s extensive in-camera Retouch Menu, which allows users to easily apply a variety of fun and dramatic effects to their images even when away from a computer. The D3000 introduces a new Miniature effect, which changes the appearance of distant subjects to look like close-ups of miniature models. The D3000 also inherits the Soft Filter and Color Outline Retouch options from the D5000, allowing users to express their photography in a new and artistic way. As with all Nikon D-SLRs, the camera creates the new retouched image, while preserving the original.

For users who want to take their creativity to the next level, the D3000 also includes the ability to capture images in the NEF (RAW) format, in addition to traditional JPEG. Images captured with D3000 in the NEF (RAW) format include a greater amount of image data, which in turn, affords finer image control and higher uncompressed lossless image quality. With NEF (RAW) images, users can fine-tune the appearance of an image with simple adjustments to things like exposure, color saturation, brightness, and overall tone – especially in the post-production process. Users can use Capture NX 2, Nikon’s powerful image editing software, to achieve these desired effects.

Nikon extends the creativity with Stop-Motion Movie Mode. With this mode, users can choose a collection of images within the D3000’s Retouch Menu, and the camera then compiles and stitches them into a fun and creative video file.

Renowned Nikon Technology
The D3000 leverages proven Nikon technologies to create the most positive picture taking experience for consumers. The D3000 delivers highly detailed images with vibrant color reproduction and low noise across a broad ISO range, due to its 10.2-megapixel CCD image sensor coupled with Nikon’s exclusive EXPEED image processing system. The D3000’s normal ISO range extends from ISO 100 to 1600, allowing for low light versatility. Additionally, the D3000’s ISO range can expand to a Hi-1 setting of ISO 3200, furthering the opportunities for shots that other cameras miss.

The D3000 also makes use of Nikon’s Active D-Lighting system, which automatically compensates to reveal veiled details in shadows and highlights in high-contrast situations. For instance, when selected, Nikon’s Active D-Lighting can improve the appearance of fine detail in a person’s face that was previously hidden in dark shadows or bring out the highlights in a beautifully backlit landscape.

Nikon’s exclusive 3D Color Matrix Metering II, in conjunction with the EXPEED image processing system, contributes to the D3000’s ability to capture breathtaking images by instantly evaluating the exposure elements of each scene and comparing it to an onboard database of information from more than 30,000 images. These split-second calculations allow the D3000 to ensure beautiful exposures—even when conditions are extreme.

The D3000 also incorporates Nikon’s Integrated Dust Reduction System, which offers a comprehensive solution that combats the accumulation of image-degrading dust from the camera’s image sensor. The system not only utilizes an active sensor cleaning function that activates whenever the camera is turned on or off, but also the Airflow Control System to redirect dust particles, limiting their ability to reach the sensor.

System Expandability
Photographers and enthusiasts alike can also appreciate the D3000’s system expandability, as the camera can work in conjunction with a variety of Nikon accessories, including a broad assortment of legendary NIKKOR AF-S interchangeable lenses. While the D3000 offers a versatile built-in flash, the camera is also compatible with Nikon’s Creative Lighting System and capable of Advanced Wireless Lighting when using the SB-900 Speedlight or the SU-800 Wireless Commander.
The D3000’s design also supports Eye-Fi memory card functionality, enabling the convenient wireless transfer of images from the D3000 to a computer, when using Eye-Fi memory cards.* Additionally, photos can be securely written to readily available SD cards, high-capacity SDHC cards and Eye-Fi memory cards, offering users a range of data storage options.

Price and Availability
The D3000 outfit, including the versatile AF-S NIKKOR 18-55mm f/3.5-5.6G VR image stabilization lens, is scheduled to be available at Nikon Authorized dealers beginning in late August 2009 at an estimated selling price of $599.95.** For more information, please visit www.nikonusa.com.

About Nikon
Nikon, At the Heart of the Image™. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; COOLSCAN® digital film scanners; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics. For the second consecutive year, Nikon D Series digital SLR cameras are recognized as “Highest in Customer Satisfaction with digital SLR cameras, Two Years in a Row, Tied in 2008.” according to the J.D. Power and Associates 2007 and 2008 Digital Camera Usage and Satisfaction StudiesSM. Nikon Corporation, the parent company of Nikon Inc., recently celebrated its 75th anniversary of NIKKOR optics and announced the production of over 45 million NIKKOR SLR interchangeable lenses. For more information, dial (800) NIKON-UX or visit http://www.nikonusa.com, which links all levels of photographers to the Web's most comprehensive photo learning and sharing communities.

* Support refers to extension of power while transferring images, and is not an assurance of quality.
**Estimated selling price listed is only an estimate. Actual prices are set by dealers and are subject to change at any time.

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NIKON D300s REVITALIZES THE STANDARD AND MEASURE OF AGILE, PRO-LEVEL DX-FORMAT D-SLR DESIGN AND PERFORMANCE

MELVILLE, N.Y. (July 30, 2009) – Today, Nikon announced the D300s digital SLR, combining professional-level performance with agility and enhanced D-Movie capabilities to deliver a new benchmark for creative versatility. Engineered to leverage proven Nikon technologies, including a 12.3-megapixel CMOS sensor and 51-point autofocus system; the addition of HD video capture; and faster 7 frame-per-second (fps) continuous shooting, the Nikon D300s balances form factor, performance, versatility and reliability for serious photo enthusiasts and professionals.

The D300s retains the photographer-friendly features of the critically acclaimed D300, while enhancing speed, versatility, and agility of the DX-format for a wide variety of photographers, including advanced enthusiasts, wedding shooters and photojournalists. The D300s can record HD video clips and high fidelity audio with an external stereo microphone input, offering users a D-SLR with full multimedia capabilities. Dual card slots afford users the ability to seamlessly record stills and video to one CompactFlash™ (CF) and one Secure Digital™ (SD) card separately, while one-button Live View, a new Quiet Shutter Release mode and Active D-Lighting bracketing help users to capture stunning images like never before.

“Today’s photographer demands excellence and value from high-performance digital SLRs – and the Nikon D300s delivers,” said Edward Fasano, general manager for Marketing, SLR System Products at Nikon, Inc. “It’s no secret that more photographers need to gather multimedia content. In addition to proven technologies, such as the 51-point autofocus (AF) system and 12.3-megapixel CMOS sensor, we are more than confident that the D300s’ HD movie mode, along with a host of additional performance enhancements, will broaden the appeal of the camera to those seeking exceptional still image quality and video versatility.”

The Benchmark of Speed, Performance and Reliability
Whether on the front lines of spot news or behind the scenes at a spring wedding, users of the D300s can record HD video clips at 720p resolution with a smooth cinematic 24 fps rate. In addition, the D300s also records high fidelity audio—either with the convenient built-in microphone or by using the external stereo microphone input. Photographers can trim video length on the fly and apply Picture Controls to video, modifying the tone and color. Additionally, users can autofocus while recording video, using contrast detect AF, and do so while composing on the D300s’ bright three-inch 920,000-dot LCD screen.

Nikon’s applauded AF system, with 51 high density focus points, performs even faster and more accurately on the new D300s. The Multi-CAM 3500DX AF module uses 15 cross type sensors to provide unparalleled focus performance across the frame. The D300s offers multiple focus modes, including single-point AF mode, and a dynamic-area AF mode, where users can select from nine, 21 or 51 AF points with 3D tracking. Additionally, the added Face Detection System lets users instantly zoom in on a human face in playback mode on the high-resolution LCD monitor to check critical focus.

The Nikon exclusive and newly-accelerated Scene Recognition System (SRS) further refines Nikon's AF performance and light metering. In conjunction with the 3D Color Matrix Metering II system, the SRS uses precise color and brightness information from the 1,005-pixel RGB sensor to propel AF, auto exposure, i-TTL flash control and auto white balance to unprecedented accuracy.

The renowned 12.3-megapixel DX-format CMOS image sensor in the D300s delivers extraordinary image quality and low noise throughout the entire ISO sensitivity range from 200 to 3200 (Lo-1 at 100 and 6400 at Hi-1). The D300s captures image data using 14 bit A/D conversion, processed through a 16-bit pipeline for optimal performance, resulting in images with sharp details and smooth tonal gradations.

The D300s also incorporates Nikon’s exclusive EXPEED™ image processing. EXPEED image processing uses an accumulation of sophisticated Nikon intelligence and technologies to ensure impeccable quality for both still images and movies, while also achieving high-speed processing and low power consumption. When using the included EN-EL3e Li-Ion rechargeable battery, photographers can achieve as many as 950 shots under normal shooting conditions. The optional Multi-Power Battery Pack MB-D10 extends shooting comfort and supports three types of batteries: R6/AA-size batteries, along with Nikon's Rechargeable Li-ion Battery EN-EL3e and the EN-EL4a Rechargeable Li-ion Battery. It combines added stability with extended shooting of up to 2,950 shots*1 per charge and enables faster high-speed continuous shooting at up to 8 fps*2.

The reinforced magnesium alloy body is lightweight, ruggedly constructed and comprehensively sealed and gasketed against the elements at key points, and the shutter has been proven to a demanding 150,000 cycles. Additionally, the D300s employs the Integrated Dust Reduction System countermeasures that combat the accumulation of image-degrading particles on the optical low-pass filter.

World Class Versatility
With the D300s, Nikon introduces the ability to bracket Active D-Lighting (ADL). By localizing tone control, ADL restores shadow and highlight detail typically lost in high contrast situations, such as backlit subjects or while outdoors with strong sunlight. ADL bracketing provides users with the ability to bracket up to five frames of ADL strength to help ensure perfect contrast throughout the frame, putting an end to the guesswork behind the shot with a bride’s intricate white dress and a groom’s tuxedo in the same frame, for example.

Additionally, the D300s features two memory card slots—one CF and one SD, used simultaneously in a variety of configurations to match users’ preferences. Among the many options available, stills and video can record to separate cards or slots can be assigned for JPEG and RAW recording. The D300s offers “overflow” or “backup” modes, and when shooting D-Movie clips, it allows you to select the slot containing the card with the most available capacity. Users can also copy and paste files between cards.

Also added to the D300s is a Quiet Shutter Release mode, which substantially reduces the sound of the mirror while shooting. Quickly accessed by selecting “Q” on the release mode dial, this feature is ideal for the photographer who wishes to remain unobtrusive.

To further expand versatility, users have the ability to fine tune their images using Nikon’s Picture Controls to adjust sharpening, brightness, contrast and color hue. The D300s offers users four presets including Standard, Neutral, Vivid and Monochrome; while Landscape and Portrait settings can be downloaded from the Nikon website. While the D300s offers a versatile built-in flash with wider coverage for a 16mm lens, the camera is also compatible with Nikon’s Creative Lighting System and is capable of controlling up to two groups of remote units as a master / commander for Advanced Wireless Lighting.

System Expandability
In addition to compatibility with more than 60 NIKKOR lenses and a broad array of system accessories, the D300s will also perform well with the recently announced AF-S NIKKOR 70-200 f/2.8G ED VR II and the AF-S DX NIKKOR 18-200 f/3.5-5.6 ED VR II lenses.

Price and Availability
The Nikon D300s camera body will be available at Nikon Authorized dealers beginning in late August 2009 at an estimated selling price of $1799.95.** For more information, please visit www.nikonusa.com.

About Nikon
Nikon, At the Heart of the Image™. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; COOLSCAN® digital film scanners; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics. For the second consecutive year, Nikon D Series digital SLR cameras are recognized as “Highest in Customer Satisfaction with digital SLR cameras, Two Years in a Row, Tied in 2008.” according to the J.D. Power and Associates 2007 and 2008 Digital Camera Usage and Satisfaction StudiesSM. Nikon Corporation, the parent company of Nikon Inc., recently celebrated the 50th anniversary of its legendary F-mount lens-mounting system. Only Nikon has sustained an original lens mount for such an extraordinary period, ensuring that photographers can continue to leverage their previous investments while still taking advantage of new innovations. For more information, dial (800) NIKON-UX or visit http://www.nikonusa.com, which links all levels of photographers to the Web's most comprehensive photo learning and sharing communities.

*As determined in Nikon performance tests
**Estimated selling price listed is only an estimate. Actual prices are set by dealers and are subject to change at any time.
*1 Based on CIPA Standards. When Rechargeable Li-ion Battery EN-EL3e is used for camera body, together with Rechargeable Li-ion Battery EN-EL4a and Battery Chamber Cover BL-3 for the Multi-Power Battery Pack MB-D10.
*2 Based on CIPA Guidelines. When Rechargeable Li-ion Battery EN-EL4a and Battery Chamber Cover BL-3 are used for the Multi-Power Battery Pack MB-D10, all of which are sold separately.

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This entry was posted in Nikon D3000, Nikon D300s, Nikon Lenses and tagged . Bookmark the permalink. Trackbacks are closed, but you can post a comment.
  • Willis

    Nice work admin.

    You nailed this one

    anyone know if the 70-200 still has the function buttons?

  • Derek

    Good job Admin, make CR change their name to NR wahahahhaha

  • anon

    The 10mp (vs 12 mp) of the D3000 is a big disappointment. The user interface looks very ugly as well. :-(

  • Cesar

    What a load of crap…

  • Anonymous

    Why is the 18-200 VR not in RED ?

    • http://www.chadwebbphotography.com rad

      it appears nikon is going away from red to gold VR symbols

      • Anonymous

        does gold means VR II and red means VR 1?

        • Martin

          No. It’s just a cosmetic change. The ‘öld’ 18-200 was VR II and had red lettering; the current 70-300 is VR II and has red lettering …

  • CO

    what!?!?! no direct print button on any of the lens?!?!

  • http://jarviestudios.com/blog Jarvie

    Well even though one month for the D300s upgrade is pretty cool.

    I’m bummed I’ll have to wait 3-4 months for the new 70-200 N to be in my hands :(
    The hope is the D700x will also be in my hands before christmas. (Oh to dream)

  • Anonymous

    The info button on the D3000 is just the same as the D40. No more D lighting button like D60.

  • Seba316

    These new lenses appear to have been released only to update prices they probably considered outdated. Let’s see when the reviews come out, maybe they show great improvements… The D3000 is not what I expected, happy I did’t wait and went for the d90.

  • http://shuttertech.com.au Michael

    I find the update to D300s is pretty lame, there is nothing ground breaking. The D-Movie mode is pretty disappointing to be anything useful, unless they’ve added manual controls and fix those damn steps and jellos.

  • Anonymous

    WTF. WHERE IS THE MANUAL VIDEO CONTROL YOU MORONS ARGH NIKON NIKON… must pray for manual video control, good god a tilt-a-whirl but no manual controls. Nikon please pass the good #$#@ I’d like to smoke some of it too :(

  • JM

    http://imaging.nikon.com/products/imaging/lineup/microsite/d300s/en/d-movie/

    Here are some sample clips from D300s! I don’t own a D90, but looking at the left bottom corner movie (colored buildings at night), the rolling shutter doesn’t look as bad as D90′s. Can anyone else confirm what I’m seeing?

    One more thing from that d-movie page:

    “And Tripod mode gives you control over the depth of field with a selectable aperture of up to f/16.*
    * With exposure modes A and M.”

    Is the exposure mode M something that is available on the D90/D5000???

    • http://jessenash.com Jesse Nash

      it looks like you can reduce the jello effect by simply shooting with wider lenses….
      http://vimeo.com/2576147

      considering that, nikon might have chose that clip to mask the flaw

      • JM

        Does anyone else have a comment about this?

  • Aimpic

    I love the humor about Canon Rumors. I too prefer Nikon, but lets remember Canon has some competent gear and maybe Nikon is better than it would be because Canon is pushing them along. Up with competition.

    Now lets see how the standard of photography rises, Ha Ha Ha.

  • http://www.dafyddowen.com Daf

    Poll on who’d buy the 300s ?
    My guess is that it will be ~5-10%

  • Jason

    Memory test time – can anyone remember how long it was between the introduction of (1) the D70s and the D80, or (2) the D2Xs and the D3? If they’re similar times, it could give us some idea how long Nikon expects a “facelift” to last before they introduce the replacement model

  • NikoDoby

    100th!!! YES

    • Anonymous

      grow up

      • NikoDoby

        get a sense of humor!

        • Zabbu

          NR Admin, I took a quick look at your price watch page, and you’re saying that the D4000 is expected too?

          • http://nikonrumors.com/ [NR] admin

            oh, this old – I will update it this weekend, It was the D300s not the D400

  • zen-tao

    It seems that Nikon co. Is still doubtful to get through the video segment doors. They keep dripping new features without catching the bull by his horns. Quite a few video accessories manufacturers are developing stative and shoulder attachments for Canon 5D MII. Nikon looks unable to offer better video features, then: why make that effort? They should devote their time to develop more photo technologies which are his real bussiness.

  • http://www.festiveimage.ca rajahx

    Great work admin! Spot on with the predictions.

  • Pansottin

    My second post and maybe my last.
    One year waiting for Nikon´s convergence with proper still+video camera after the crippled D90.
    One year for nothing. Just expectations. No real video improvements.
    The video is the same crap like D90, etc.
    What a joke!
    Motion jpeg? 5 minutes? 720p? Who want´s sound in camera?
    What a joke!
    I like Nikon and I´ve been using Nikon for years (film years) but this is a joke.

    Two years to update a camera and it´s this?!?
    What a joke!

    The Canon 5D Mark II is a better video device (and Full Frame stills too) and will sell like hot dogs with tons of users, websites, blogs, films, movies. kino, cinema, etc. I don´t like Canon but, Canon is one year ahead on video and FF segment (5D vs D700)
    The Pana GH1 is much better video device and will make history too with Leica, Pana, Sigma; Zuiko, Nikon lens, etc.

    I wish that this new D300 “s” version was only a still camera for just a bit less money.
    One year. Well Nikon is done for me. No more Nikon bodies (I love Nikon bodies) with crippled video for me.

    Scarlet (RED) will have my money for video and maybe stills too.

    What a BAD joke!
    Infinite sadness. Huge disappointment.

    • Jon Paul

      It actually took Nikon almost 3 years to answer Canon’s 5D but when they did, boy did they ever answer. The D700 is still better than the 5DII for some things. If video is as critical to you as it sounds in this post, I think RED might be the way to go. The D300s isn’t supposed to compete with the 5DII.

  • Digital Cinema

    No threat to the Canon 5dMKII in the world of pro cinema. The Canon is used on high end movies (Iron Man 2) and TV shows (24) because of a much better codec than Nikon’s horrible motion jpeg. Indie film producers have been snatching up 5DMKII’s so fast that Canon keeps going out of stock on them and a cottage industry has sprung up for DSLRs used as movie cameras, but over 90% of the sales are going to outfit the Canon. In fact the biggest sellers are Nikon F mount to EOS mount so people can use the older fast Nikon primes. Hope the 700x fixes all this, but by then the new 1DMK4 with ever better HD video will be out, Nikon you are missing the boat!!

    • funny

      sony owns the digital motion camera world far more than canon. in fact canon is not even a remote threat with their little Mk2. It will get some use for sure but remains clumsy to use and the rolling shutter artifacts rule it out for a lot of high end production. agreed nikon should still improve on the codec for the wedding videographers and other cerative pros. But don’t kid yourself, neither company can currently challenge the cinema pro market leaders by 10 miles.

      • Pansottin

        Yeah; I really expect some news from Sony too, this fall. It´s the only “giant” that could make some shadow over RED. Maybe Panasonic too. Maybe not. Sure not Nikon or Canon.
        Infinite sadness. Huge disappointment.

        • Digital Cinema

          well, Canon is the only DSLR even close. IT IS being used on hollywood productions, not any of the others.

          For many indie film makers it’s the only way to get a 35mm look on a budget. Yes the RED, Sony…ect are better. BUt they all cost 5 times as much set up for “35mm look” the 35mm look adaptors alone are over $3,000, thats more than a 5d.

          To be clear i’m talking about FILM production, not TV videos or home movie, I’m talking double system sound indie film production.

          • Pansottin

            But on a more modest solution, Scarlet will be an option for many many users with fix lens or not “2500-4000 USD/Euros). The quality is huge, huge (check some samples on the web please), like huge is my present disappointment today over Nikon.

            My only doubt is on the stills side. If Scarlet fails on that I will be on the market for a stills only camera and may be I´ll return to Nikon (D300 {not “s”} or D700) for that (or maybe not). Sony is capable of anything, anything both for stills and movie.
            RED is revolution. Nothing will be the same after RED news this fall. We can´t imagine cause, images, rendering , etc; available are outdated .-)
            Infinite sadness.

      • Anonymous

        However, Sony has high end cameras that it needs to protect…

        • Pansottin

          And Nikon has nothing, nothing to protect on movie department and do nothing apart from being the first to put movie on a dslr but a crippled one and after an year; the expectation of millions of users around the globe…ends on a joke.
          Huge disappointment.

  • Ubiquitous

    Mr Admin:

    Excellent job!!! It could not be better. Your site rocks. It is an honor to be a member.

  • Ubiquitous

    The following are the product number for the last lenses introduced by Nikon:

    AF-S 50mm f/1.4G = 2180
    DX 10-24mm = 2181
    DX 35mm f/1.8 = 2183
    70-200 N VRII = 2185
    DX 18-200 = 2192

    Since Nikon assigns a lens product number in sequence (cameras have a 5 digit product number, for example,) we can assume that numbers 2182, 2184, 2186, 2187, 2188, 2189, 2190, and 2191 are done but yet to be announced. That is at least 8 new lenses. There could be higher numbers than 2192.

    Now I understand for releasing the 18-200, now. It encourages speculation for other “upcoming” lenses – free publicity – many new lenses and not just two!

  • Anonymous

    So when is the next round of Nikon announcements? There are many lenses that still need updates, hopefully Nikon are not going to continue ignoring these.

  • cheff

    Just so I am getting this right, the only real differences between the old 18-200 and the new one is the zoom lock and the increase in price by $150? If that’s it, I’ll stick with the old one…

  • Jim

    For those who are wishing that the jello is gone need to be brought back to planet earth. Same old jello.

  • Jurno

    I can’t get over all the video snobs (well, maybe it’s only a couple) who come on here to trash the video in this camera. It’s not as good as the 5D mk ll which costs $1000 more? Shocking! It’s not as good as the Red Scarlet which costs $3000 more? Scandalous! The codec is not optimal? Horrendous!!

    Oh the woe and the rending of garments!! Nikon, Nikon what have you done?

    • Pansottin

      Nikon D300=1679 USD (Body)
      Nikon D300s=1799 USD (Body)
      Canon 5DMark II= 2999 USD (Body)
      Scarlet (fix lenses)= 3750 USD (Body+lens)
      Scarlet (inter. lenses)= 2500 USD (Brain only)

      Ref.
      Amazon.com

    • Anonymous

      I so agree, the world is coming to an end because I can’t make a cinematic masterpiece with an amateur stills camera. I thought Nikon’s market was photography, not cinematography.

  • RThomas

    There goes my savings account. I think I will buy a D300s, now that I know it has an external mic input… just need an update of the 17-35mm f/2.8 now!

    Another thing I would like to see Nikon do is bring out “pancake” lenses to go with the D3000. That would be a nice, compact alternative to a “digital rangefinder.”

    • Jon Paul

      Have you considered a D90 and buying an external recording system with the difference (maybe a boom mic and a Zoom H4 or something)? I’m not criticizing, just curious.

  • Chris

    I dislike the memory card slot cover. It looks like to have the sleazy feel of Canon’s memory card slot covers (and also D700′s). Better it costs 10$ more but has the undestroyable old fashion Nikon memory card slot cover! :-(

    cp

    • Chris

      New 70-200: And I dislike that “VR” is now written in gold instead of red letters. :-(

      Edit: Last post on 1:24pm was about the D300s.

      cp

  • Jim

    To not have ANY manual controls for video is lame. People are just asking to be able to control aperture and shutter speed. It’s not like we are asking for the world, lol.

    The d90 is an amazing camera for stills and I have even used it for video in specific situations, which has been really cool.

    But when you release the d300s 10-11 months later and still cannot correct this, it is a major gaffe.

    • Jurno

      From Nikon, re D-Movie: “Tripod mode gives you control over the depth of field with a selectable aperture of up to f/16.”

  • http://bonzo.com Bonzo

    70-200:
    Only 0.12x maximum reproduction ratio at 1.4m, worse than before (0.17x at 1.4m).

  • Paulo Cristão

    First of all I must say to NR administrator, you have done an awesome job predicting this release! I was up at 5:00 am Portugal to see in firsthand the Nikon d300s, I love it.

    Have you seen these movies/photos taken with the d300s?

    http://www.youtube.com/watch?v=JIXbmcPjUJw

    http://www.youtube.com/watch?v=if0ZFtkmdyE

    The video looks really nice doesn’t it? Keep up the good work!!!

    Paulo Cristão from Lisbon, Portugal

    • Stu Mannion

      Hey these videos look great! They are carefully designed to hide jello issues but even so it seems to be better than the D90. Do we know for sure that there’s no manual control? Or is there? (in video mode). Has the bitrate of the mjpeg been stated?

  • Rosco

    Is there still going to be 2nd announcement on August 4th too? Or was that a red herring?

    Cheers

    • http://nikonrumors.com/ [NR] admin

      I have no confirmation yet, but I think we will see new Coolpix cameras next week. One of them with a build in projector. Maybe a P6000 update. There is definitely an event scheduled for that date in Austria – this is for sure.

  • capitaltpt

    So this lens focuses 0.4 feet closer than the current lens, yet has less of a reproduction ratio…..how does that work? I don’t understand why Nikon can’t have a 70-200 with a 1:3 ratio like the Sigma and Tamron versions.

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